Kvn music competition the best. "Cleanliness is the key to health." KVN Music Competition. What to start from when writing a competition for one issue or music number

A play or a concert?
(a little more about the music competition)

Better is easier, but better
Most often (but not always) a music competition, one way or another, is built in the form of an ordinary pop concert. This is exactly what the KVN players of the 60s did. They lined up ready-made musical numbers one after another in order to change the tempo and mass character, as well as to increase the expected success by the end of the competition. However, do not forget that the first song should not be the weakest either. It was at that time that the classical staging form of the "choir with soloists" was invented, which was quite successfully exploited by the inhabitants of Odessa until the mid-90s. And between the songs, the most ordinary entertainments were made - individual or pair, consisting of a set of reprises, the last of which served as a conclusion to the next musical number.
The first NSU team brought the form of such a divertissement to filigree simplicity. They no longer needed a choir - almost all the numbers, except for the final song, were performed by soloists or a duet. And the final song was not always written for a music competition. They practically did not even use dancers, the role of which was previously quite effectively performed by the choir. And all this feast of the spirit was always united by the same parody-cheeky entertainer (Vladimir Duda), whose texts were also built according to an ideally simple principle: two “killer” reprises of the “news” type, of which the second, as a rule, brought the viewer closer to the topic the next issue and - the classic ironic announcement of the number. Perhaps, the biggest dramatic sophistication that Novosibirsk residents allowed themselves in the final of 1991 was a parody of the New Year's “Blue Light”, in which there were already a couple of presenters and “guests of the studio,” who, however, did not say a word.
That, in fact, is all the drama! And this simple scheme has worked, works and will always work for the very reason that divertissement is such a familiar form for the viewer that in any KVN performance it is a parody of itself. This is, in fact, analogous to the “team have entered the stage” situation in the greeting. And this scheme also has its undeniable advantages and undeniable disadvantages.
Let's start with the benefits. The first and most obvious is the simplicity of the drama! And this very simplicity always plays into the hands of the quality of humor, because it allows you to easily insert into the context your best reprises on absolutely any topic, without wasting time on specifying any special situation. Likewise, you can easily swap musical numbers in the competition, having noticed, say, during a rehearsal that their success rating turned out to be completely different from what you originally thought. Finally, such a scheme ideally allows you to introduce the viewer into the context of the song itself, if you like - “explain what you need to laugh at”.
Let's remind that the perception of the situation by the viewer and, moreover, the plot directly from the text of the song is difficult. Plot songs in general are a very rare thing, although they have existed for many centuries. These are ballads. But in this case, you must warn viewer that the ballad will now be performed.
It often happens that a song, like a joke, initially arises simply from a pun of a well-known line or a technical shape-shifter. And then the meaning of the number has to be looked for additionally, “to select”. Example? Please!
In 1995, the Tbilisi team “Real Toastmasters” brought a nice synchrobuffonade to their first game: the soldier's choir sang twice accelerated “Don't-cry-girl”. It was well staged, but it looked completely pointless. And only when it came to mind that it was “Chorus of the rapid response group Russian army, which for the third year already has not been able to leave the territory of Georgia ”(then this issue was very topical), - the number began to be perceived with a bang.
So, the benefits are there! It remains only to find out why something so simple and clear form has not been seen for a long time on the KVN stage?
The point is that any “ideal” form implies “ideal” musical numbers. For the Novosibirsk people - with their forty authors, hundreds of reprises and a couple of dozen songs claiming to be performed in one competition - it was quite suitable. Moreover, any complication (and experiments in this direction were already in full swing) were deliberately rejected by them, since it could only interfere with the perception of truly brilliant texts. For the same reason, the choirs and singing songs that “chew” the words were abandoned, and therefore there were no distracting dancers.
But if the luxury of forty good authors is not provided for in your team, or, in the end, you are simply drawn to experiment, then you will most likely be interested in reading this chapter to the end.

You won't say goodbye to the song ...
The music competition in KVN is notable for the greatest variety of genres. It's just that, unlike, say, a greeting, it initially lacks a sufficiently strict genre definition. By and large, the only criterion for the "musicality" of the competition is the presence of more or less music, and from this point of view, any competition in the current KVN (except, perhaps, the warm-up and the captain's) can be called musical.
One way or another, most of the music competitions use the form of "presenter with a concert", which is "put on" some additional situation.
An elementary option, known even to school amateur performances, is a rehearsal or preparation for this very concert. Nevertheless, this technique has more than once led to success on the big KVN stage. (For example, “rehearsal of a factory holiday” in the semifinals-99 of the Belarusian State University, “rehearsal of the opening of“ Kinotavr ”near Sochi and“ rehearsal of the Kremlin concert ”near Tomsk in the quarter-finals -2000.) Another no less common option is to add a scandalous backstage situation to the concert ... It was on this that the entertainment of the famous Tomsk “musical” of the quarterfinals of 1998 was built, in which “in the village of Liverpool” the local director of the club gave advice to the visiting host.
The shape of the divertissement can be hidden deeper. How it was done, let's say “Four Tatars” at 1 \ 4-98, having lowered their concert into an underground passage. However, if the word “deeper” is read not so formally, it is easy to understand that the same form lies in the Tomsk conversation between Mozart and Salieri (1 \ 8-98), and in the graceful course of the KhAI with the metro (1 \ 8-95), when the theme of the song was set simply by announcing a stop or transfer to another line ("The next station is Angelico-Varumskaya, transition to the Agutinskaya line!"). This also includes countless parodies of television programs (“Musical Ring” of “New Armenians” in the semifinals-99.)
The benefits of “situational divertissement” are undeniable. And the biggest of them is the uncertainty in such a competition of the relationship "music - text". Musical numbers are a specific thing, and not everyone succeeds in them. And here it is theoretically possible to "pull out" the competition, having only one full-fledged musical number. The introductory and final songs are added to it, a couple of musical "pokes" are added, and - all this together looks quite musical! Another thing is that then the idea should already be original, and the text should be really funny.
Perhaps the first to do this were “Makhachkala vagrants”, showing in the final “musical” 1996 “Dagestanskie Vesti” - a parody of “news of Dagestan television”. There was really only one, and a rather weak number, which today even few people will remember. But a perfectly thought out and played out situation not only brought success in the game, but even entered the KVN Annals.
I must say that at the end of the 90s, many teams often began to abuse this technique, frankly shifting the center of gravity of the music competition to text "spacers". But alas! - the viewer reveals any deception sooner or later, and what was forgiven to the discoverers can now cause frank irritation. So, if you want to play KVN, then sooner or later you will have to learn how to make musical numbers.

Some people like it hot ...
Now let's talk about musical exoticism. Moreover, it was some very exotic forms of music competitions that made a splash in their time, and now they are rightly considered KVN classics.
Let's start with a shape called “musical collage”. Its essence lies in the fact that in a row "non-stop" a lot of short fragments are performed, more or less flowing into each other. At one time, the inhabitants of Odessa brought onto the stage in droves the heroes of "Slave Izaura", who were then close to the heart of any ordinary TV viewer, which allowed them to speak solo, in groups or all together on any burning topics, of which, thank God, there were enough in those days. It was there that such “classic lines” sounded like:
There is no need to be sad, friend, -
Not our native in Brazil
Three Marxists, three cheerful friends
They founded their own merry system.
And:
The train will leave from Red Square,
The Jews will move, but who will remain? ..
The main technological merit of this form is the possibility of using short song excerpts, which, as you know, are born much easier and more often than it is possible to come across a worthy topic for a full-fledged musical number. But linking such passages into a collage creates the feeling of a “big musical canvas”.

At the same time, a very specific form of a “short musical piece” was born, which was invented and “used 100%” by the Dnipropetrovskites for a decade. The basic laws were guessed by them right away in the very first musical number, which completed the final DZ of 1988 - “Transfer me to self-financing” (to the music of S. Nikitin “Transfer me through the Maidan”).
The classical form of such a number is based on a verse form, with each verse being sung by a new hero (or a group of heroes). The illusion of dramatic development is achieved by the fact that the heroes gradually appear and accumulate on the stage, so that in the finale, already with a powerful chorus, they sing something already conclusively moralizing. (However, the heroes can be immediately on the stage, as in the famous "Emmanuelle" or "Gathering" of Russian writers, but then they gradually come into play.)
Actually, there are no other secrets of form in the Dnepropetrovsk “plays”. But! In their musical numbers were not only magnificent texts, absolutely precisely worked according to all KVN canons - that is, every four lines was a full-fledged reprise. There was something much more important and complex in them, which, in fact, gave the KVN team the right to call itself the KVN Theater: these were not classical KVN "expositions", but plays!
It is no coincidence that almost no one dared to use the Dnipropetrovsk uniform, when a one song contest appeared in the KVN arsenal. Although, we admit, it was invented with an eye on the DGU team. However, the cautious KVN players preferred a win-win divertissement in this version as well, contriving to write several different numbers for one melody or simply perverting endlessly in arrangements, modulations and playful "pictures", composing one endless musical number.
And yet we urge you to dare! What if it works out? You just need to do this in advance, and not two days before the game. In two days it will definitely not work out ...

Finally, there is a very exotic musical scheme. True, it is extremely problematic to fit into the modern timing of the music competition. However, in last years a competition called “musical homework”, For which the musical is, in principle, ideally suited.
Another thing is that a musical in the classical sense is a dramatic work in which songs are inextricably linked with action. True, the genre complexity of the task binds your KVN capabilities hand and foot. Nevertheless, the musical in KVN still exists, albeit in a very peculiar globally parody form.
In 1996, at first, “Makhachkala vagabonds” intuitively groped it and brought their “17 Moments of Spring” to the Music Festival in Jurmala. It was very funny, and they rightfully won the "Kivin in Gold" then. But when they decided to do something similar in the semifinals, it was very painful to analyze what they had actually done.
And then it turned out that they really ran into a "gold mine": a parody of a cult plot! Indeed, if the viewer already knows this plot thoroughly, and even remembers individual episodes literally, no special plot for his own play needs to be built. Suffice it to hint that, in principle, you already know all this. And after that - go for a walk, I don't want to! Turn everything upside down and “combine the incompatible”! And now the Caucasian Stirlitz appears, who is escorted to his native village, and Hitler declares that “he used to be so angry because he didn’t have a bicycle”.
In the semifinals, residents of Makhachkala, in the same genre, brilliantly developed the theme of Rambo (or, more precisely, American military fighters in general). And then ... faced with an insoluble problem. It turned out that there are not so many cult plots and heroes at all! As a result, the bet on "prison fighters", which the "vagabonds" made in the superfinal-97, did not lead to the same success. In addition, it became obvious that even a parody plot must be supported by the overwhelming mass of game episodes, and the oversaturation of such a competition with detailed musical numbers, even if perfectly executed, leads to the fact that it “crumbles”.
Apparently, after this failure of the inventors of the genre themselves, KVN players considered him killed in the bud. And again, only the BSU team dared to do something similar, and only at the Music Festival in 2000, being by this time already super champions. This time the “Three Musketeers” went to the “mockery”. Moreover, the chosen genre was much closer to the classical musical than that of the Makhachkala residents. There was no longer an insane mixture of cult phrases and musical styles. In fact, a certain parody story was proposed, which nevertheless had to be built, and all the musical numbers were honestly taken from the popular TV movie. And although objectively all this was very, very good, in the context of a music festival, the performance seemed too “loose” and stretched out. (Which, by the way, proves once again that the viewer has absolutely clear criteria for the perception of specific competitions - criteria that must not be violated!). Recent examples: "Olesya" of the "PE" team.

In conclusion, I would like to dwell on one obvious paradox. Why are such traditional musical genres as opera, ballet or at least operetta practically not used in the music competition? Moreover, all this was used very actively and successfully by STEMs?
Generally speaking, it would be strange if no one in this area had time to experiment. And the experiments, of course, were, and - not very successful, which, in fact, discouraged the followers.
The operetta, most likely due to inexperience, was made in its first game in 1986 by the Moscow Art Institute team. This, however, was not even a musical, but a publicistic contest “Welcome to Complain”. MAGMA “went” to the opera in the first game of the 1994 season. They also made a small ballet number in the semifinals of that season, which at the same time almost exhausted the possibilities of the genre in KVN, since they parodied it as a whole: Lenin, Stalin and Trotsky in french coats and tutus took a few steps across the stage, and then breathed heavily and bowed to the audience. ... Everything.
As for the opera and operetta, they turned out to be extremely cumbersome for the presentation of the text. Just like in natural theater, the viewer, having tuned in to such a genre, immediately ceases to listen carefully to the words and pays more attention to singing, which for KVN, as you understand, is destructive.
However, in the 2000 quarterfinals, the opera number “Eugene Onegin” ventured to show Tomsk. And the fears were confirmed. In the process of rehearsals, it had to be greatly reduced and additionally amused with frankly unoperative details.
Generally speaking, theoretically, it is possible to come up with a parody of the classical music genre. Only for this, most likely, you need to directly somehow sing or dance in a very funny way. And to come up with this, you see, is much more difficult than just a couple of text jokes!

The format of this competition came from the reduction of airtime, when a complete musical task is very difficult to watch with a large number of teams and "unlimited" airtime.

Another history of the competition is rooted in Regionalki and Tsentralki, where at the initial and 1/4 final stages you need to be able to write or learn to write finished contests, with an idea, plot and minimal drama. And there, as a rule, there are a large number of teams in the game. And watching 8 homework in one game will be very difficult even for an inveterate KVN fan. For this, they came up with such a competition.

The essence of the competition: in 2-3 minutes you need to show a number with a move, story or idea that will be interesting to the viewer for these same 2-3 minutes. The difference from the thumbnail or number in the greeting is that the number in the greeting, you can show both 5 seconds and 15 and 20, depending on how interesting it will be and how much jokes will fit into it.

Tip: You shouldn't write a contest out of jokes. The queen of the competition will be the story and its ending. This is how films, serials, sitcoms are written, therefore, KVN is not an innovator here. Many editors also advise to write a contest for 7 minutes, so that, without losing a story or idea, only funny jokes could be left there.

Difference of Muznomer from the Competition of one issue.

A musical number cannot exist without a musical component. Even the editor of the Higher League, Dmitry Kolchin, said: "Remove music from the competition, and if the competition continues to work, then it is not musical."

A competition of one number can be a musical number. On the contrary, no.

What to start from when writing a competition for one issue or music number.

Of course, there are eternal pieces that every person in the audience knows. There are not so many of them, and one must understand that they have long been worked out and written out in KVN. You can write something new in the subject of well-known works only through the prism of your team, or through a bright character.

News and events that take place here and now come to the rescue. Any relevant news will be clear to the audience and the jury, therefore, any new news occasion will be your opportunity to be on this topic for the first time. And, therefore, the most ridiculous.

Tip: don't go overboard with the idea and its development. People come to KVN for humor and jokes. Therefore, it works perfectly here, as in STEM - interesting story... Quite simply - a joke. “Lev issued a decree that it is forbidden to use foul language on trees. The hare did not see the decree and is still writing, ”that's all. There is an interesting story that I want to watch. You can put it in two minutes, knowing what will happen at the end.

Examples of contests for one number and musical numbers:

KVN 2012. Higher League. 1/4 finals. "Team of the Kamyzyak region". Musical number.

History: a song about the mayor of a small provincial town. Pay attention to the motive. A very famous song for every person in the audience and at the screen. For your musical number, it is best to take famous and popular songs.

Content: a large number of jokes combined into one story.

Advice: if there is a competition for one number in the game, oddly enough, it is better to prepare a musical number, because jokes set to music are perceived by the audience much better. There is, of course, the possibility that all the teams in the game will make a music competition, but that's another story altogether ...

KVN team "Cambridge" - 2013 1/4 Musical number.

Idea: Support for the Russian national football team. Since this is a television picture, it was necessary to decorate this whole idea visually. However, this is a musical number in which no one sings much. Here is a set of jokes related to notes about our life, wrapped in a shell of support for the Russian national team. Such contests are written quite simply, the only question is an idea, which is extremely difficult to come up with.

Yaroslav Hasek Buns - 2016. Premier League. Third 1/8. Musical number.

Idea: in fact, the simplest version of a musical number, which can also be winning in a particular game. The team has a large archive of karapul and authors who can write them for such a competition in a short time. Next, the current shell is taken. In this case - "Quest-room" and already, after the turn, which begins with the fact that this quest must be passed and it will end anyway, songs are sung.

Full House - 2015. Krasnaya Polyana. The festival. Competition for one number.

This number of mine for the music competition for the school KVN was rated by the Customer with the word "Super!"

Before publishing, I re-read the text, and decided that it was so))

Because it was not too easy to beat the conventionally children's theme "Cleanliness is the guarantee of health" for the 10th grade.

But I did it.

It turned out modern, fun, and at the same time strictly on the topic. In general - cool, it seems to me)).

And as it seems to you, write in the comments, please.

Two important points:

1. This musical number will suit the older and high school... The younger one is not. Is that only graduation 4th grade.
2. According to the text, the command does not pronounce the word "KVN". Therefore, you can use the script both as a musical and as an ordinary musical scene on a given topic.

KVN MUSIC COMPETITION

"CLEANLINESS IS THE KEY TO HEALTH"

THE MOST IMPORTANT THING:

1. Children need to perform with drive, completely without thinking about how they look from the outside - think about it at rehearsals, and on KVN it is already easy to have a full blast, like at a good party, only within the script)))
2. Because music, like nothing else, ignites the audience (and the jury is also the audience), and the tightness when performing against the background of bright melodies will be too visible.
3. I know (I suppose, and you know) a lot of stories where the non-liberation on stage turned potentially winning musical numbers into miserable ones.
4. Therefore - we look again at point 1)) Good luck!

MAIN ROLES

1. Katya - a la Dani Klein (lead singer of the group Vaya con dios) from the famous video, but at the same time - a schoolgirl; in your pocket - phone
2. Dancing - several people of the Team (or - the whole Team), enter together with Katya and dance while she is singing
3. Crazy - a nerdy clever girl, round glasses on her or in her pocket
4. Boy - conditionally Roma, the main male role, appearance - normal, in his pocket - an apple and a smartphone
5. Microbes - 3 people of any gender in sweatshirts / vests with hoods tightly tightened around the face and signs with large inscriptions "Main Microbe", "Senior Microbe", "Just Microbe" (I know - the roles are NOT cute, but - what topic, such roles) ... Everyone has a long leash (ribbon / rope) in their hands or pocket, with which they are tied to the victim
6. Zhanna - sings like Zhanna Aguzarova
7. Team - a group of children on stage

MUSIC AND PERFORMERS

All music sounds in fragments, there is not a single complete song.

1. Vaya kon dios - Nei-na-na-na - Katya sings, sings the dancer
2. Yolka - handsome boy - sings Zaumnitsa
3. Kipelov - I'm free - Boy Roma sings
4. Denis Klyaver - Ask What You Want - Boy Roma sings
5. Khachaturian - Dance with sabers - as if dancing Roma and Microbes
6. Zhanna Aguzarova - Wonderful country - Zhanna sings
7. Nikolay Noskov - And I do not agree to less - the final, everyone is singing

Do you need repetitions (where and how many), opening and closing losses - decide at the rehearsal after the timing.

There are not many altered words. The “native” (or almost “native”) text gives the performance a showiness by superimposing it on “non-native” circumstances.

In some places, the backing track will have to be cut and glued, since I may have another verse instead of the chorus.

ACTION

The melody of the song Vaya kon dios "Nei-na-na-na" sounds, Katya enters the stage and sings, followed by her - sings along and Poddantsovka dances on the go. Dance movements - any modern, the main thing is clear and synchronous. The palms are clenched, they are unclenched only at the end.

If the Team is NOT all dancing, you can separate the groups: Katya is walking, followed by an actively dancing Poddanceovka, a little further - the rest of the Team enters with a slightly dancing step.

Microbes are also hiding among all, but so far they are not visible - the hoods have not yet been put on, the plates with the "names" are hidden under the sweatshirts, they behave like everyone else.

Waya con dios "Nei-na-na-na"

Cleanliness is the key to health,

we are still asleep!

Nei-na-na-na, nei-na-na-na

But we do not even lead an eyebrow,

We continue to sleep with love.

Nei-na-na-na, nei-na-na-na

Nei-na-na-na, nei-na-na-na

Oh, nei-na-na-na, nei-na-na-na

(You can not repeat so much, but glue the backing track only from the first lines with a one-time repetition)

======================

But as soon as we woke up

then get dressed and put on your shoes,

Nei-na-na-na, nei-na-na-na.

They quickly ran to school,

solved all the problems,

Nei-na-na-na, nei-na-na-na

Nei-na-na-na, nei-na-na-na

Oh, nei-na-na-na, nei-na-na-na

======================

We got a lot of knowledge,

And then they just realized

Nei-na-na-na, nei-na-na-na

We forgot to wash -

(They unclench their fists, show dirty hands (dirty gloves / stickers) and dance further with open palms. After the dance, dirty gloves / stickers are discreetly removed.

At this time, 2 Microbes appear, the Chief and the Elder, already in their own image. They take out the ropes and try to throw them in a loop on Katya's arms, but she does not come out - Katya sings, already standing still, but actively waves her hands to the beat of the music)

We were in a hurry to school!

Nei-na-na-na, nei-na-na-na

Nei-na-na-na, nei-na-na-na

Oh, nei-na-na-na, nei-na-na-na

============================================================

The song and dance ended, the Microbes hid the loops behind their backs, with their free hand insinuatingly took under the elbows the smiling Katya, who did not notice anything.

Crazy woman:

Do you know how many germs are on an unwashed face, and especially on unwashed hands?

Command:

How many?

Crazy woman:

Many, very many! ( Puts / straightens glasses, leans slightly towards Microbes, looks at them ) At least two.

He approaches Microbes, reads the tablet, looks in the face, says in confusion:

Microbe ... Wow ... And so cute ...

And sings to each in turn:

============================================================

Christmas tree - handsome boy

Ah handsome boy
How many girls sigh
How many tears are shed
They are looking at you

(slightly shakes his inscription, turns to another).

Ah handsome boy
How many girls are suffering
How many school misses
How bad they are from you

(lightly hits him with his finger on the inscription) .
============================================================

The germs hissed at the Brave in response and waved their loops. The clever girl jumped back, Katya woke up, abruptly freed her hands and pushed the Microbes away. Those, bent over, jumped over to the Boy and quietly began to entangle his arms.

The boy does not notice, takes an apple out of his pocket, brings it to his mouth, but does not have time to bite - a Microbe sneezes from behind, the Boy turns around at the sound and screams in fright.

Microbes, to each other:
- You shouldn't have scared him off - he would have bitten an apple, and we would have got over from his hands into his stomach. And there would have come off as it should!

You better look so that he does not tear himself away from us here ( tugged at the leash, checking .)

The boy removes the apple, takes out his phone, calls Katya. He speaks slightly in panic, waves away the Microbes with his free hand:

Katya, here your microbes are coming to me!

Katya, standing a little to the side, answers the phone:

And what is written on them that they are mine?

The boy leans in, examining the inscriptions:

No, something else is written on them!

Well, deal with them, Roma - you are already a big boy.

So they are not small ( looking at Microbes from top to bottom ).

Then try to agree ( disconnected b).

Okay, I'm starting to try.

Sings to Microbes:

============================================================

Kipelov - I am free

I could be with you ( gestures to one Microbe )

I could be friends with you ( slaps on the shoulder of the second, then frowns in disgust and shakes off his hand)

I could forget about everything (points to the ropes ), but this is just a game.

So you'd better leave, no offense and no longing,

And find something to do for all your guys.

I'll be healthy! In my soul there is no more space for you! (He knocks on the inscription of the Main Microbe with his index finger).

============================================================

The Microbes, who had calmly watched before, looked at each other and stepped at the Boy, hissing, showing teeth and raising their outstretched palms like angry cats.

The boy jumped back in fright:

It didn't work out, we need to come up with something ...

He walks back and forth on a leash, thinks nervously, “bites his nails,” then remembers that they are dirty, shakes off his hand.

Microbes look at him appraisingly, some with their arms crossed over their chest, some with their cheeks resting on their hand. Negotiated:

Here's a guy stupid! Out of the blue!

Yeah. He has the Internet in his pocket, but he doesn't know what to think of.

Well, well, we're better off.

At the same time, Just Microbe appears on the stage. He walks with a quick, impudent gait, opens his hand, planning to run it over the backs of the Team. But the Team noticed him and beat him (of course, HOW TO beat him).

The microbe breaks free, goes to its own, already limping and holding on to its side. The other two Microbes gesture that he is late and direct him to become attached to the Boy.

Boy:

Invented! ( Pulls out a smartphone from his pocket, presses something there ) "Ok, Google", tell me - how are germs destroyed?

Ok Google (a slightly robotic voice from behind the scenes or deep inside the Team):

Sanitary and epidemiological station.

The late Microbe ties his ribbon to the Boy. He tries to snatch his hand away, waves it off, Microbe brings his fist to the Boy's face.

Boy, on the phone:

And if they are attached to me?

Ok Google:

In what sense?

Literally! ( Shakes hand with a leash )

Try it first ...

=============================

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=============================

What Google advised to try for a start is described in the continuation of the scene. It (together with the beginning, that is, the whole scene) can be obtained through "".

Wishing to come out with drive,

Target: development of creative abilities.

Tasks:
- the formation of acting skills;
- instilling a spectator culture.

Registration: multimedia, costumes, phonograms.

Characters: presenter, Fly, Spiders (3), Komarik, Guests.
a girl with a laptop enters the stage, sings
Phonogram "I'll go out into the street, I'll look at the village ..."

1 I'll go out, girls, go out to the Internet,
I'll see: oh, priests, what is not there,
I will go out to unwind, shake boredom,
To get lost for a little bit there in the virtuality ...

the second girl appears
2 What are you muttering there?
1 So, I search the Internet.
2 Yes, you have a new beech! You live well!
1 I'm not complaining, only people live even better: look (shows), play in KVN.
2 Class! That would be for us!

the third girl appears
3 What are you chirping about?
2 Look: people are playing in KVN, and we are like fallen from a palm tree ...
3 So let us, too.
1 Well, it's a good idea, just find a topic!
2 Why look for her - just about life and play ...
3 No-no, so not interesting, let's talk about good life…
2 Or rather, about love - this is the best thing in life!
1 About love, so about love. Go!

run away

on the media screen:
"The Musical" Tsokotukha Fly "
Characters and performers are listed with portraits
Leading
Our Fly Tsokotukha
Didn't have a belly at all,
And she was thin, slender,
Oh, here she is!

To the phonogram of Glucose "And I have the most, most, most beautiful ..."
Fly-Tsokotukha appears, hugs

Natural blonde
Good - just a picture
And how he can sing!
But let's take a look.

Song of the Fly
"Flip flops" Olya Polyakova

I was looking for him all over the world,
By catalogs and on the Internet,
Well, I shopped in all the boutiques,
But I found it completely, imagine, not there.

pulls out a samovar

I have not forgotten to find the money,
And I bought a samovar at the bazaar,
I got it well: almost for nothing,
I even brought it here myself.

Top, top, top, top, top, top, top, top

Chorus: And I celebrated my birthday with him,
I invited everyone to the bugs for tea,

Bread, bread, bread,
A seagull for free, why would he be bad?

Leading
Guests came immediately
And Mucha has no refusal:

Phonogram "A glass of vodka on the table"

Everything you want is on the table ...

Fly
Help yourself, do not demand!

Guests are treated to the background of the phonogram "Wedding" by Muslim Magomayev
Phonogram "Wedding"

And here guests, guests, guests
They sang and danced
And they drank everything, not just tea,
And the improvement in life was immediately noted,
So, by the way, in passing, by chance ...

Leading

Suddenly, out of nowhere, a Spider
Well, not so that quite an old man,
Bald and not good at talking,
Our Fly began to press on pity:

Spider 1
I'm watery
Soundtrack from the cartoon "The Flying Ship"

I am an engineer, I am an engineer
And I'm not an example for children
Eh! Work early
Neither silver nor gold
My dream, my dream
Decent salary!

Leading

The Fly thought deeply here
From the girlfriends, neither hearing nor spirit,
And what can they advise?
The poor fellow rushed about in alarm.

Guests from the corners
"Good" Verka Serduchka

Ok, everything will be fine
Everything will be fine - we know it, we know it ...

Spider 2 appears with tattoos
Phonogram "Vladimirsky central, north wind"

Leading
Here, you see, there is also a Spider,
Painted showed his barrel,
It also pulls its paws to the Fly,
But why is such a bad guy?

Spider 2
"Murka"
I have already noticed you, beauty,
I have woven nets on you for a long time
For my feelings, you alone are responsible,
You see, Mushka, I came to you ...

Leading
Spider, he is, he will not retreat,
He will threaten, promise and buy ...
Oh look, and the third one appeared,
In our Fly and this one fell in love ?!

Soundtrack "Kings Can Do Everything"
Spider 3 appears: cool, guarded, Spiders 1 and 2 twist

Spider 3
For you Stas Mikhailov
For you, for you
I'll build a house with a pool for you,
And the limousine, of course, is also for you,
And to the Bahamas even now, loving you ...

Fly

I want love! Big and clean !!

Komarik appears against the background of the phonogram "Oh, God, what a man" Natalie

Leading

Finally, the flashlight came on
This is he, our hero, our Komarik!

Mosquito
"Find me on the warm summer shore" Brothers Borisenko

I will release you from annoying suitors,
With me, I'm sure you will be better
I'm young and strong and I'm good at myself
Look, I'm a real hero!

I will fill the world with love for you to the brim
And our life will go so happy
I know you, Fly, are also groovy,
We can do a duet with you.

Duet of the Fly and the Komar
"Plague Spring" Potap and Nastya

Fly
Oh, how we got dizzy
Plague love
Agitated by the blood
And we lost our minds from her,
Plague love, plague love.

Mosquito
I've been looking for you for a long time, like a plague man,
How many different lousy flies have I stared at,
But none of them settled in the heart,
And then you got caught and now ...

Fly
And I fell in love with you!

The guests are singing
Soundtrack "Good" Verka Serduchka

Ok, everything will be fine
Everything will be fine - we knew it, we knew it
Ok, everything will be fine ...

Fly

Oh, it seems we played in KVN!

Well, yes, we did!

End