Non-union offers where. Punctuation marks in the non-union complex sentence. Non-union complex sentence

Non-union sentence - This is a kind of complex proposal, in which the relationship between predicative parts is expressed without the participation of unions or allied words. Communication in the non-union proposal is carried out using punctuation, intonation and meaning signs, which depends on the context.

The teacher fell ill, the lecture was transferred to tomorrow.

This offer has the value of the sequence of actions.

The lecture was transferred to tomorrow: the teacher fell ill.

Explanation.

The teacher fell ill - the lecture was transferred to tomorrow.

Causal relationship between suggestions.

To facilitate the use, it is customary to consume a reduction of SBP.

Types of complex non-union proposals.

The most widely distributed classification of types of non-union proposals for lexical meaning. In accordance with this, the following SBPs are distinguished:

- Explanatory bumps:

There was something incomprehensible outside: an incredible noise suddenly heard.

- SBP with a sequence value:

Because of the clouds, the spring was revealed quickly.

- Additional bumps:

He decided to go to work: it was necessary to come out instead of a sacred partner.

- GBP with the meaning of the condition:

I'll be back home - I traveled to all.

- SBP with the reason for the reason:

There was noise of the opening door: Vika returned from study.

- SBP with a time value:

The sun rose - birds cheerfully stuck.

- SBP with a matching value:

Case time - fun hour.

- SBP with the meaning of the investigation:

TV broke: a voltage jump occurred.

Scheme of the disclaimer of a complex non-union offer.

1. Type of offer (complex non-union offer).

2. The number of predicative parts in the SBP (two, three or more. Highlight the grammatical foundations).

3. Type of semantic communication between parts of a complex non-union offer.

4. Explain the formulation of the selected sign in the proposal.

5. Picture SBP scheme.

L.A. Aksenova,
Lipetsk region

Punctuation signs in the non-union complex sentence

Didactic material

I. Separation of comma and comma

Comma put in an infantoy-free proposal for separating parts, closely connected with each other (you can put the union between them and ) and denoting or consistently occurring events.

Cathedral kernels, fistil the bullets, hung the cylinder bayonets. (A. Pushkin)

Semicolon It is raised when parts of the non-union complex proposal are less related (in meaning and intonation, they are close to independent proposals), and also when the parts are already distributed (have commas) or are grouped in meaning (in this case, the consistence of a comma between the parts of the non-union complex Offers is not enough).

Morning magnificent; in the air cool; The sun is low. (I.Gongcharov) The pale gray sky is lightly, chokyel, blue; Stars were blissing the light light, they disappeared; died the earth, fucked the leaves, somehow the living sounds began to break, voices. (I.Turgenis)

Exercise 1. Read the text. Watch for intonation, stylistic features of non-union complex suggestions, justify the use of comma and comma dots.

Fun 2 watched 6 through narrow 6 track 6, between two walls of high 3 rye. The ears quietly beat 1 of you in the face, the cornflowers cling to 6, 2 for their feet, quail shouting around, the horse runs lazy 2 trot. Here is the forest. Shadow and silence. Statov 5 Osins high lay 6 over you 3; Long hanging branches bare barely move 6; A mighty oak stands like a fighter, beside a beautiful linden 4, 7.

(I.Turgenis)

Attention! Parts of the non-union complex sentence, separated by a semicolon, are pronounced with a decrease in voice to the end of part (Almost like at point) and considerable pauses between parts. The tempo of speech in such proposals is usually slow.

Given this information, prepare the expressive reading of the text I.Turgenev. Try to feel the mood that the author reports.

    Determine which language means of expressiveness are used in the last sentence.

    Select the synonym for the word statov.

    Specify the types of single-part offers. What is their role in the text?

Task 2.. Read the non-union challenging offers and find the grammatical foundations in them. Decide, in what non-union complex suggestions between parts you need to put a comma, and in what is the point with a comma. Justify your choice.

Write down proposals, exposing punctuation signs. Insert the missed letters, open brackets.

1) Meanwhile at night. Pr_B_BL_Lested and P_SLA like a grinding cloud, along with the evening vouches from_sudvyudi underc_mal and even (c) you are tempted by dark_t. 2) Everything around quickly Ch_Reloly and Ut_Halo Some per_Pell izr_ka shouted. 3) Already, I (c) work with difficulty, it is unclear (n, NN), the field is unclear around (for) it (c) every instant of the NAV_HVA_GUI GR_MAD CLUBS A sullen darkness took up. 4) One P_LOW HILE CHE_NOWNED OTHER P_LE BE_ONEKUE_NOW TEL ON PLIATED BUSINESS LITSELLY AT EMPLICATION Suddenly from the Earth before the M_In nose. 5) Everywhere with rays _lmazami z_reddened by large drops of p_s me n_vstrech pure and clear as if also washed in the morning (n, nn) \u200b\u200bto her pr_xpaste, the sounds of olk_k_l. 6) The wind fell exactly the wings of the word and deputy head of the shower. 7) Night_ T_ZHERO and DRIVE (H, NN) Faces Face K_ZHOVA R_OVOVYE MR_ZH_H_RUE TUCH P_SLI and P_lzli in the sky.

(I.Turgenis)

1) Meanwhile, the night approached and grew as a thunderstorm cloud; It seemed, together with evening couples rose from everywhere and even with the embroidered darkness. 2) All the circle quickly and calmed down the circle, alone quail occasionally shouted. 3) I've hardly distinguished distant items; The field is unclear Belelo around; Behind him, with every moment the huge clubs overlooking, sullen darkness raised. 4) One gentle hill was replaced by another, the fields were infinitely stretched behind the fields, the bushes were suddenly stood out of the ground before my nose. 5) everywhere radiant diamonds are called large drops of dew; To meet me, clean and clear, as if, the sounds of the bells were brought by morning coolness, the sounds of the bell. 6) the wind fell, exactly the wings folded, and froze; Night fragrant warm reached from the ground. 7) the night is hard and damp smeared to me in a progress; It seemed that a thunderstorm was preparing; Black clouds grew and crawled across the sky, apparently changing their smoky outlines.

(I.Turgenis)

Task 3.. (Formation of speech skills and punctuation skills.) Continue proposals so that the non-union complexes come out: a) with a comma; b) with a semicolon.

1) Sky in the East began to darken ...
2) Lights lit on the evening streets ...
3) Lightning shone almost continuously ...
4) The river in the flood was very much ...
5) Thunder thundered for the village ...
6) All nature breathes freshness ...
7) Air clean and transparent ...

Task 4.. Prepare the expressive reading of the text, paying attention to the intonation and the selection of punctuation marks in suggestions.

Do you know what enjoyment leave in spring before dawn? You go out on the porch ... on dark gray Sky something blinking stars; wet breeze occasionally raids light wave; hear discreet, obscure whisper night; The trees are weakly noisy, lured by the shadow ... by the shoulder, in the garden, swallows peacefully watchman; Each sound seems to be in the frozen air, it is worth it does not pass. Here you sat down; Horses at once moved, the cart loudly stated ... it's cold a little, you close the face collar overcoat; you dumps... But here you left the versts four ... the edge of the sky aleet; In Beres, wake up, awkwardly fly tanks; Sparrows tweet near Dark Skyrov. Lighter the air, a visible road, clearsky, whiten tucci, green fields. In red fire burn Luchin, beyond the goal suspanny vote. Meanwhile, dawn flare up; Here are already golden stripes stretched outacross the sky, in the ravines of tuberous pairs; zhavoron Single sing predawn the wind blew - and quietly pops up bugs the sun. The light is so rushing; Heart in you fixed, like a bird. Fresh, fun, any! .. The sun quickly rises; The sky is pure ... you climbed the mountain ... what kind of! River goes The verst is ten, dim blue through the fog; for her water-green meadows; for meadows spray Hills; Departed Chibisa with Cry go over swamp; Through the wet gloss, spilled in the air, the distance is clear ... how freely breathes the chest like cheerfully moving Members, as gust whole putting Fresh breath Spring! ..

(I.Turgenis)

    Castle text, define its main idea.

    How many paragraphs can be allocated in this text?

    What is the role of non-union complex proposals in the text?

    What explains the differences in the formulation of punctuation marks (comma and semicolon) between parts of non-union complex proposals?

    What are the means of expressiveness used by the author?

    Explain the spells in the selected words.

    Make a small text using non-union sophisticated searches and a semicolon, one of the following topics:

1. Before the thunderstorm.
2. Early in the morning.
3. Summer evening.
4. The blizzard.
5. List Falls.

II. Putting the colon

Colon Between the parts of the non-union complex proposal is placed in the following cases:

1. If between parts of the causal relationships (the second sentence indicates the reason why it is said in the first sentence), in this case, before the second part, you can deliver alliances because since .

Ignorance should never brag: ignorance is powerlessness. (N. Chernyshevsky)

2. If there is an explanatory relationship between parts (the second part explains, specifies the considered thought of the first part), in this case, before the second part, you can put explanatory and connecting unions. namely, that is .

The weather was terrible: the wind storm roared from the night, the rain lils like from the bucket. (I.Gongcharov)

3. If the second part complements the content of the first part, spreading one of its members (usually led). In the first part in this case, you can insert the verbs of speech, thoughts, feelings, perceptions ( hear, see, feel and the like). Check Unions: what how .

He raised his head: Through the slim pairs of glitter Golden Males.

Exercise 1. Read offers. Specify the non-union complex proposals in which the second part
a) indicates the reason for what is said in the first part;
b) reveals, explains the content of the first;
c) complements the meaning of the first part.

1) I entered the hut: two benches and a table and a huge chest near the furnace was all its furniture. 2) I could not fall asleep: everything in the darkness is all the boy with white eyes. 3) I brought and looked out the window: someone immediately ran past him and disappeared God knows where. 4) We looked at each other: we were struck by the same suspicion. 5) I raised my eyes: my hut had a girlfriend in a striped dress, with loose braids, a real mermaid. 6) It was good: high, thin, black eyes, like a mountain sulna, and looked at you in the soul. 7) I'm foolishly created: I do not forget anything. 8) Pereshnitsky accepted a mysterious look: walks, throwing his hands behind his back, and no one knows. 9) a long-forgotten thrill ran through my veins at the sound of this cute voice; She looked into my eyes with his deep and calm eyes: they expressed their infancy and something similar to reproach. 10) I was always strange one thing: I never got a slave of my beloved woman; On the contrary, I always acquired over their will and the heart of the invincible power, not at all trying about it. 11) One should never reject the critic: From despair, he can become even twice the crime. 12) Oh, I ask you: I don't flome me still empty doubts and feigned coldness. 13) I laugh at everything in the world, especially above the feelings: It begins to scare it. 14) I looked at her and frightened: her face expressed deep despair, tears sparkled in front of her eyes. 15) Our conversation began with angrily: I began to sort out those present and missing our acquaintances, first showing funny, and after their sides. 16) these patients are such a people: everyone knows everything. 17) I tears and truncated to the window: a loosely pretended Stanus allowed me to see the pouring and listening to them. 18) Here are my conditions: you now publicly refuse your slander and ask me apologies. 19) ONE I ask you: shoot more. 20) Everything is arranged as much as possible: the body is brought ... Bullet from the chest is removed. 21) has passed since much time: I penetrated all the secrets of your soul. 22) I will never love another: my soul has exhausted all your treasures on you, your tears and hopes. 23) I took from the table ... Chervonny Ace and threw up: breathing everyone stopped. 24) I walked around the hut and approached the fatal window: my heart was bad. 25) I love to doubt everything: this is the arrangement of the mind does not interfere with the decisiveness of character. 26) In me, two people: one lives in the full sense of the word, another thinks and judges him.

    What works are these lines from? Name the author.

    How to explain the frequent use of personal pronouns i In these sentences?

    Give a complete punctuation characteristic of the offer 10.

    Draw a proposal scheme 9.

Task 2.. Read. Determine the semantic relationship between parts of non-union complex proposals. Write down the proposals, exposing the punctuation marks, emphasizing the grammatical foundations in the following sequence:

1) the second sentence indicates the reason for what is said in the first sentence;
2) the second sentence reveals, explains the content of the first;
3) The second sentence complements the meaning of the first sentence.

1) There are such happy faces in the world look at them anyone exactly they warm you or smooth. 2) Not only by the semi-charm of the charm, he attracted her soul alone, she attracted her soul. 3) No legs carried me without a boat I was lucky me raised some wide strong wings. 4) Suddenly I hear me by clicking someone. 5) The head went around for too many impressions into it flooded at once. 6) He loved her passionately and never forbid nothing to her, he picked himself to her guilty in his soul.

(I.Turgenis)

Task 3.. Continue proposals so that there are non-union complex suggestions with a colon. Determine the semantic relationship between parts.

1. Plants refresh air: ...
2. The forest affects the air temperature: ...
3. Love in nature: ...
4. Read the Book of V. Caverin "Two Captain": ...
5. I looked at the sky: ...
6. I am happy: ...
7. About one I ask you: ...

III. Setting a tire

Dash It is placed between parts of the non-union complex proposal in the following cases:

Feet wearing - Hands feed. (Proverb)

2. If the first part indicates the time or condition of what is said in the second part. Check Unions: Time - when , conditions - if a .

1) It will come in the evening - the stars will light up in the sky. 2) Do you like to ride - love and sosochos to carry. (Proverb)

3. If the second part concludes a conclusion or a consequence of what is said in the first part. These relationships can be checked by alliances. so, therefore .

The cloud layer was very thin - the sun was shone through it. (K. Pouustovsky)

4. If parts of the non-union complex proposal have a comparison value. Check Unions: as if like.

I will look - the ruble will give. (Proverb)

5. If parts of the non-union challenge offer are drawing a quick change of events.

Cheese fell - with him there was a cheating. (I.Krylov)

6. If parts of the non-union complex proposal are associated with seeding relationships. Check Unions: although, despite the fact that .

I told the truth - I did not believe. (M.Lermonts)

Exercise 1. Read offers. What semantic relationships are expressed by a dash sign in these non-union complex suggestions? What unions do these relationships can be checked? Distribute intonation schemes 1-, 2-, 8th proposals. Write words with highlighted letters, explain their spelling.

1) I was g abouttOV love the whole world - m e.nya N. andwho (not) understood. 2) he (not) p buti smeared with my hands - a sure sign of some kind of character. 3) I'm replied aboutrail Pr. andironing - he n andwhat (not) answered. 4) WD. butlee B. anddust dust - Azamat SK butcal on L. andxom Karagonee. 5) Try aboutshaft go P. e.shung - My legs oDto aboutsucked. 6) Shot R butbuilt - smoke filled the room butthat. 7) Mountain Oz e.rO H. e.rkat in the sun - overflowing by all e.tami B. aboutlushful Crysta lL. 8) the fog sSe. ilya - B. e.rshins again z butst. e.rkali in the sun. 9) I was modest - m e.nya Obv andnyali in Luka. in.

(M.Lermonts)

Task 2.. Spish by grouped the proverbs by the semantic relationship of their parts. Insert the missed letters, highlight and designate the spells in these words..

1) Summer solders - winter is in_. 2) The darkness is not any light - the evil is good. 3) Stroke go - in_los not well. 4) The source utters thirst - a good word is either a heart. 5) The eye is turn_sh_ - crookedly otme_sh_. 6) bold victims - cowardly pounds. 7) Do not shout about s_be - let others talk about you quietly. 8) science gift is not d_et_ - science work b_rech. 9) Azbuchka is taught - for the whole of the hub kr_sat. 10) Cumshots - Goulai boldly. 11) There is a T_Reniya - Budget and skill. 12) time time - fun hour. 13) man's work feed_t - laziness port_t. 14) Better plow_sh_ - more bread in_zmesh_. 15) Circling is red and the sun - pr_, led the month. 16) people without a homeland - nightingale without a garden. 17) With the world on a thread - naked shirt. 18) Gl_za is suffered - the hands are doing. 19) Reviews in Altyne - not p_WERS in the ruble. 20) With the Warrior fell - not saint_. 21) White handle - Soul Ch_Ranya. 22) With stupid leads, it is a p_Gluphee myself. 23) With the smart poundwork - drinking water. 24) With a friend, a friend of Branit_sa - Neuda V_S_LIT_. 25) Fall_sh_ stick without knowing how to stitch the neck. 26) The root of the teachings of the humpback is the fruit of his sweets. 27) Scientist without practicing - bee without honey. 28) I read the x_locked book - met with a friend. 29) A friendly for business is taken - the desert is a hound. 30) Language One, the ears of the couple - times SC_GE, two p_ listened. 31) Do not look for an impeccable friend - Osta_Sh_ one. 32) pr_name and b_les, and b_da - the habits are Ost_ Navgi_Gda. 33) The happy sh_ pay interprets about good luck - the unfortunate about the misfortune is loudly crying. 34) B_L-SL_VEKH_KOKLY WITH LOVE - HAVE HAVE HE HAVE HERE. 35) The rich in his herd did not find the chick - the last chick is_bral at B_Dnyak. 36) Do not please work, not half_noy - in the color in the end, the k_chi_t_v_tit_tits. 37) The first stone is crooked in the land - the whole ST_Na went on fire. 38) Obid_t friend - Lang_t Stone Word. 39) A smart head of a hundred heads feed_t - thin and one not pr_kamit. 40) Mel_T day before euro - there is nothing to listen to. 41) Biden the books to read - you can know everything. 42) Sulfur Summage_T - friend dispute. 43) In the morning it is not empty_sh_ - the day disappeared. 44) IQ_TUN and the truth says_t - it does not believe him.

    Specify the proposals, the content of which relies on the use of antonyms.

    Name synonymous by the meaning of the proverb.

IV. Training exercises

Exercise 1. Read offers. Complexed and complex proposals to remove in complex non-union. Write down, installing the necessary punctuation marks.

1) Proverbs and sayings are always brief, and the mind and feelings are invested in them for whole books. (M.Gorky) 2) the legs should be a man in the land of his homeland, but his eyes will obey the whole world. (J. Santuana) 3) There is a popular belief that Zarnitsa "will charge bread", that is, highlights it at night. Therefore, bread floods faster. (By k.pustovsky) 4) Small rooms or housing collect the mind, and the big scatter it. (Leonardo da Vinci) 5) If you are going to love someone, learn to forgive first. (A.Vampilov) 6) Not only you collected books, but the books collected you. (V.Sklovsky) 7) If you want to be rich, do not think to increase your property, but only reduce your greed. (K.Gellevation)

    Determine the main idea of \u200b\u200bproverbs (Proposals 8, 9, 10). What advice is contained in the proverb Read not reflecting - that there is not having chewing?

Task 2.. Write down proposals, arrange the punctuation marks, justify your choice. Emphasize the grammatical foundations of the proposals.

1) Let him go to the road and bored alone, let him take himself in the satellites there is no companion better her ill and suffering let him take himself to help the book in the world there are no medicine more. (Ancient Oriental Wisdom) 2) Love the book She will help you understand the motley confusion of thoughts. She will teach you to respect the person. (M.Gorky) 3) She [Book] introduces people to life and the struggle of other people makes it possible to understand their experiences of their thoughts of their aspiration, it makes it possible to compare to understand the surrounding and converting it. (N. Brup) 4) to handle the word need to be honest is the highest gift to man. (M.Gorky) 5) Science must love people have no power more powerful and victorious than science. (M.Gorky) 6) And my request consists in the next take care of our language. (I.Turgenis) 7) I looked around the heart in me, I was sad at night in a man's hut at night. (I.Turgenis) 8) A narrow path led between the bushes on the crackle of the wreckage of rocks was the shaky steps of this natural staircase clinging to the bushes we began to climb. (M.Lermonts) 9) It became hot white shaggy torques quickly fled from the snow mountains promising a thunderstorm head of Mashukh smoked like a tight torch; It was crowded and crawled as a snake gray blocks of clouds detained in their desire and as if clinging to his spiny shrub. (M.Lermonts) 10) Here, he was gathered by the people from the fortress he [Kazbich] did not notice anyone stood standing and went back I ordered near him put money for the rams he did not touch them. (M.Lermonts)11) Pechorin is not indifferent apatically Hears his suffering, he is chasing himself for life looking for her everywhere accuse himself in his delusions. (V. BELINSK) 12) Water all Mr. Water and Fire is afraid. (Proverb) 13) not to fall out to another pit . (Proverb) 14) Do not scold not purely in the mouth will be. (Proverb) 15) The mare with a wolf, one tail and the mane remained. (Proverb) 16) The medium of a noisy crowd of unknown those sounds clear to me twice reminded the strength of wonderful they all my heart. (A.FET) 17) The ball jumps the color in the courtyard in front of me this ball is very milly glazed. (Virae) 18) Each exercise the smell special in the bakery smells the dough and blessing. Past joinery, you smell with a stalk and fresh board. (J. Rodari) 19) It is just necessary to do something good to do something then smile and pay our mother's mother from happiness. (O.Shestinsky) 20) There is nothing holy and disinterested love of my mother any affection every love any passion or weak or a self-sample compared to it. (V. BELINSK)

    Specify the proposals that match the following schemes:

– ; – .

(because)

    Specify the non-union complex proposal, the relationship between whose parts is causal.

    Illustrate the following orphograms examples from the proposals:

1) Again, " In the verbs: ...

2) n, NN. In the suffixes of different parts of speech: ...

3) not With different parts of speech: ...

4) Roots with alternating vowels: ...

5) unstressed vowels, checked by stress: ...

    With the help of an intelligent dictionary, explain the value of the highlighted word.

    Write the words whose structure corresponds to the schemes:

    Specify parts of speech in the 17th sentence.

Task 3.. Read fragments of literary works. Specify the author, the name of the work, determine the genre.

Spariate, inserting missed letters, arranging punctuation signs.

1) One poor mother did not sleep. She straightened to traveleled by the river sons of his l_sitis nearby. It's RA_H_Syvali's row of them m_l_dishly curves and smeaching them with tears, she ch_dealls on them all ch_eli all chops and not M_NEGLI. She SPA_RIMILE them (N, NN) Oh breasts, she will not take them about them and only one moment see them before s_be. Sons of my sons are my cute that Buds with you that it is waiting for you, G_Vorila and tears of the elder in M_Rechnos, I change it, when (TO).

2) cute good old gentle
With thoughts of the chest_ you are not happy
Listen to this Snow Harmonic
I am RA (C, SS) Kazhu about Sv_u T_B life.

3) Do not east of the mothers of some
They are from OD_nochemia.
Cf_dy concerns in love (n, nn) \u200b\u200bocean and books
Do not be kinder with them.

4) I know a lot about the exploits of women withdrawn from the battlefield wound (H, NN) fighters who have worked for men who managed the Blood to children going through the Siberian tracts for St. Lady Musians. I N_When did not think that all this relates to Mother Mother. To the quiet shy (n, nn) \u200b\u200bo'clock, only the topics of the UK_rech _...
T_PER I look at her life and see it pr_stul through all this. I see it with OP_D. But I see.

5) if the hearts are harsh
Budget children are gentle with her.
B_R_GIT mother from evil word
Know the children wound all b_s!
... Mother will die and not to make scars.
Mother will die and disappear.
Scroll take care of mom
Children of the world take care of the mother!

6) my friend my brother is my t_varis_ my
If you have a mother
Rove to her Ser_z. SP_SHI.
Rusing her in the very winged R_KET.
Each moment on the account. Be faster than sound
And the light.
OP_DEW on the way is not PR_Sti with this forever.
.....................................................
Ah covenant maternal and what are you in the world of wise?
You're us to the stars in the queen even in the dark nights deaf.
I have a lot of good mothers in the world!
Why does T_GDA in Z_MEL still crawls evil?
AND money Money? And dried Ser_za skopidomism?
But how to pl_ it would be _
If all Mothers of Sv_yi listened to each other, it became possible.

7) z_ appointment give me b_licking soul
Ser_za good
OKO (NOT) Dremel_
GOL_S MILE_KOV_YE Affectionate
Hands strong (not) Cool
Very hard mother be!

(N.Gogol. "Taras Bulba"; S. Jenin. "Snow-in-depth crushes"; A. Tementev, Yu.Yakovlev. "Heart of the Earth"; R. Gamzatov. "Take care of mothers"; S. Sostrovat. "Mother "; A.Yashin." Mother's prayer.)

    Draw the schemes of non-union complex suggestions, specify the grammatical foundations in them.

    With the help of an intelligent dictionary, find out the value of the underlined words.

Task 4.. Prepare expressive text reading.

The constant presence of the mother merges with each my memoirs. Her image is inextricably connected with my existence ... I sometimes lay in forgetting, some middle state between sleep and fainting: the pulse almost stopped fighting, the breath was so weak that they put the mirror to my lips, to find out if I was alive; Doctors and all the surrounding has long condemned me to death: doctors - according to undoubted medical signs, and those surrounding - by undoubted ill signs. My Mother's suffering is impossible to describe, but the enthusiastic presence of the Spirit and the hope of saving their child never left her. "Mother Sophia Nikolayevna, - Not once said, as I heard my soul dedicated to her, - stop tormenting your child; After all, the doctor and the priest told you that he is not a tenant. Will conquer the will of God: Put the child under the image, hesitated the candle and give him an angelic darling to get out of the bodies. After all, you only interfere with her and disturbing her, and you can't give it ... "But with anger, I met such speeches my mother and answered that, as long as the spark of life would be warm in me, she will not cease to do everything that can, for my salvation, - And again put me in an insensitive attor, poured in the mouth of Rhineviewe or broth, the whole clock tried my chest and back with bare hands, and if it did not help, then my lungs were filled with my breath - and I, after a deep breath, I began to breathe Stronger, as if waking up to life, I received consciousness, I started to eat and talk and even recovered for a while. It happened more than once ... I attributed my salvation to emergency care, a relaxing care, the infinite toe of the mother. Attention and care was what: constantly needing money, interrupted, as they say, with a penny for a penny, my mother took the old Rhinewine in Kazan, almost for five hundred versts, for the price unheard of then. In the city of Ufa, there were no so-called French white breads - and every week, that is, every mail, generously, the reward postman brought from the same Kazan three white bread. I said this for an example; Exactly the same was observed in everything. My mother did not give to extinct in me a conversion lamp of life; As soon as he began to fade, she fifth his magnetic outpouring of his own life, his own breathing.

(S.T. Aksakov)

    Word and write down the topic and the main idea of \u200b\u200bthe text. (The selfless struggle of the mother for the life of his child is the topic of the text. The meaning of the text is deep: while there is a mother on Earth, not scary to man, she will heat the light among the darkness of the night, will not be able to get lost and the abyss will help, he will close the soul, save, will save will return to life.)

    Explain the formulation of punctuation marks in the text.

    Specify in the text of the non-union complex offers.

    Draw a third sentence diagram, give it a characteristic.

    Remember the ORFRAM "Letters n. and nN. In the words of different parts of speech, "illustrate it with examples from the text.

    Fill out the table examples from the text:

    Prepare to write down the text under dictation.

Task 5.. Read the text. Write down, putting the punctuation marks, justify your choice.

You bought a new book ... She can be in solid caroto (n, nn) \u200b\u200bOM binding with knevkorov P_Creaking in solid care (H, NN) about (paper) binding or in a soft paper scale. Book new clean and kr_sya. Do you want to choose her in T_K? Remember

Books are afraid of 1 solar rays (no) Read 6 of them on the bright sun. 7.

Books are afraid of cheese_sti (no) read them in the rain.

Books are afraid of dirt and zh_st spots (not) Read them (V) time of food (not) b_rite with dirty hands.

Books are afraid of dust Clear 2, 3 of their jelly dust_som.

Books are afraid of mechanical P_VR_EVERS (NOT) SERFORME 2 of them (not) Z_Text (c) of them thick pr_dmetov overclocking 2 b_s for the leaf deterioration and (not) smuggle finger_. 7.

Using these s_Vets of the mole_dity of your 3 books 1 Bud_t Pr_Dlen 4.

(From the calendar)

    Casting text. Determine its main idea.

    Explain the value of the highlighted word.

    Perform the specified types of dissemination.

    Choose a one-sized word book reading.

Task 6.. Prove that the colon in the examples belong to three different points. What is the similarity of the intonation of all proposals having a colon?

1) I went with a step and soon forced to stop: my horse washed, I did not see any ZGI. (I.Turgenis) 2) Labor eliminates us from three great angry: boredoms, vice, needs. (Voltaire) 3) I looked around: the night solemnly and regally stood. (I.Turgenis) 4) V.G. Belinsky claimed: "The literature is the consciousness of the people, the color and fruit of his spiritual life." 5) Knowledge is based on three things: you need to see a lot, learn a lot and suffer a lot. (U. Foscolo)

Task 7.. Read. Explain the colon setting in the text.

Fable

Dragonfly and ant

In the fall of ants, Wheat was swollen: they dried it. Hungry dragonfly asked them to feed. The ants said: "What did you collect the stern in the summer?". She said: "There was no gathering: sang songs." They laughed and say: "If in the summer he played, winter dances."

(L.N. Tolstoy)

    Word and write down two questions to the fastener.

Task 8.. Specify where the dash is delivered: a) between the subject and be sure; b) in an incomplete sentence; c) in front of a generalizing word; d) in the non-union complex sentence; e) in a complex sentence.

1) Small snow went - and suddenly fell flakes. (A. Pushkin) 2) to comprehend its guilt to the end - here is the property of the sage and the brave. 3) Bird is visible on feathers, and man - on speeches. (Proverb) 4) Communication with a book is the highest and indispensable form of human intellectual development. 5) We went down to the ravine, the wind fell for a moment - the dimensional strikes clearly reached my hearing. (I.Turgenis) 7) read the book - enrich your memory, continuously recognize the new one.

Task 9.. Find the "third more superfluous." Justify your choice.

I. 1) The thoughts should attack with the help of thoughts: according to ideas do not poule from guns. (A.Rivolol) 2) She lifted her eyes with effort and immediately looked at them: Gogol looked at her, smiling. (K. Pouustovsky) 3) Motherland develops from concrete and visible things: lords, villages, rivers, songs, fairy tales, picturesque and architectural beauties. (V.Solukhin)

II. 1) I lived, I was - for everything in the world I answer my head. (A.Vardrovsky) 2) Never lose patience - this is the last key that opens the doors. (A.De Saint Exupery)3) To be able to endure loneliness and receive pleasure from him - the Great Gift. (B.Shou)

III. 1) Do not sing a beauty, with me you are sad songs in Georgia: remind me of another life and the shore date. (A. Pushkin) 2) Relicious time will come: love and friendships to you will reach the gloomy shutters. (A. Pushkin) 3) I give you a place to give up: I have time to smooth, you bloom. (A. Pushkin)

Task 10.. Spinit, arranging punctuation signs, inserting missed letters, opening brackets.

1) Learn it all the same to swim (by) the flow of the Ost_novnovnika for a minute and you Pon_chlo (for) ass. 2) SAN_MAET_MAY MORNING ON PLAYE BELIEVE SKA_SKLLONE Z_LOVA PALE PLIOSLOY ST_ZHEE AND R_SHTECH ST_NEVER AREA. (N.Gogol) 3) For everything that is essence_t_t in pr_rode water of the water of the sky, the sky region of the rain of the rain L_ is b_lot of rivers and lakes of the meadows of the fields of the Col_t and herbs in Russian, there is a clerk of the x_ in Russian words and n_zvani. (K. Pouustovsky) 4) The word is the key_ and the heart will open. (Proverb) 5) There is (c) the autumn of the first_nachable k_rotkaya but wondrous p_r all day of st_ita as it were, crystal and ray_name in the hotel. (F. Tyutchev) 6) If a person hangs out from pr_rod, it hovers it from him. "It is his _ He reworked it. (A.Frans) 7) Give it to all the lives of the benefits of the meaning of life on Z_MLE, it is unhappy. (K. Shushinsky) 8) Angry ch_lovek is similar to r_shku l_gko b_et_, but (c) Labor Schuel_V_SH_H_ Ohl ch_lovka is like a jug of evil (c) labor p_zb_dno, but l_gko клел_ (Indian folk wisdom) 9) Exclude_lie the happiness of the part of being with a hundred p_st_yny favorite business. (Vl. Nemirovich-Danchenko) 10) Tightly link_no bl_g_thenia, Russian Ch_VEK with the existence of P_Sthenium j_vet_ x_r_sho p_stations x_r_sho j_vet_ стечень свечки. Magnifier_t R_station Multi-like disaster gr_zit and ch_lovka. (K.Timiryazev) 11) B_GACTEMENTS (NOT) It is worth it from it, they are pribored it T_KO T_NA K_TERS, we are not for k_rmann, they pianked the sake of the sake of it. It is too much (s, h) the delki pr_xla (if) only a loss. (J.Labryuer) 12) Love is in_likim ukr_suchiya she z_st_d_r_roduce CV_sti Play paints to sing wonderland songs dance_l_l_kapny dancing. (A.Lunacharsky) 13) Too-b_liest d_s are sometimes affected by a person (not) pr_nome for society to the market (not) go with Z_L_TY ingots there I need P_ZME (N, NN) Aya M_NET in particular the trifle. (N.Shamfor)

    Specify the non-union complex suggestions, draw their schemes.

Task 11.. Read. Guess the riddles. Spish, arranging punctuation signs.

1) One pour 1 another drinking the third grows. 2) One says fierce running 6, another says 6 stand up the third third says we will be swallowed. 3) Chernidka 6 The dog curled 2 lies not barking does not bite and does not allow the house. 4) Pour 2 River 6 We are lying. Ice on the river we run 4.

    Specify parts of speech in the first sentence.

    Perform species.

Task 12.. Read the text. Explain the alignment of punctuation marks and selected orfograms. Get ready to write text under dictation.

Summer, July morning! Like glamed Br. abouttick butd! Green feature L. aboutthe trace of your feet aboutsista, Pok. e.left grass. You are R. z.dvin e.those wet bush - you will be thrown out aboutdrinking warm zap butoh night; The air is all pod aboutfreshest bitterness aboutlyni, honey gr e.chihi and kishki; vDAwhether wall Art aboutiT Oak Forest and Bl e.stych and A. l.it is on s l.nCC; still St. e.j. aboutbut already chu instem tCi am the proximity of the heat. G. aboutl. aboutva Timo circles tCi am from an excess bl butg. aboutworshi. Shrub no K. aboutnCA ... Co-where is not vDAlee J. e.lTEET POSP e.rO boss, U. z.kimi P. aboutslices blushes gr e.chiha. Here Zashk andsang T. e.leg; Step samples andrAE tCi'm a man, put a horse in advance in the shadow ... you p abouthere aboutrumped with him from aboutwent - sound cNlya z.g K. aboutr. buthere bute. tCi'm yours. The sun is higher and higher. Quickly dry e.t grass. It has already been hot ... Through thick bushes aboutroman, P. e.r e.puta nN.2 chain of grass, descent e.tole 2 you are on the bottom aboutenemy ... under the most aboutbiberty T. butascene cNiR; Oak bush greedily fromi threw my painchal such over the water bi; Large S. e.r e.brist bubbles aboutlying, undern andout from the bottom covered with small bar butmoss 4 ... you're in the shadow you breathe andthose P. buthouch cheese aboutstew; You H. aboutr aboutsho 3 ... but what is it? Wind VN e.n. butl. e.bodies and rushed; the air fell a circle: isn't it? .. But here is weak e.ranked zipper ... uh, yes it is gr aboutper! The sun shines more brightly: aboutkhotyit byou can still. But cloud R. butsteth: front of her edge andhoved sleeve aboutnye tCi call. Grass, bushes, all suddenly sweat e.mattle ... Most! Won, Kazh tCi'm in andsun tCi se nN.oh S. butparadise ... Rather! You are Dob e.jali, B. aboutchumble ... What is the rain? What are the zipper? Cost-Where through S. aboutlome nN.the roof ran out water to fragrant hay ... But the sun began to play again. Thunderstorm PR aboutwalked; You exit andthose. My God, how fun sparkles all 1 round like air j. 3 and liquid, as smell like e.swimming 2 and mushrooms! ..

(By I.Turgenyev)

    How can I unlease this text?

    How many paragraphs can you allocate in it? What kind? Try to make a text plan.

    Determine the art idea of \u200b\u200bthe text. Mark the means allowing to do.

    What means of interfacial communication uses I.S. Turgenev?

    Specify parts of speech in the last sentence.

    Draw the scheme of non-union complex proposals. Emphasize the grammatical foundations in the non-union complex suggestions.

    Give a complete punctuation characteristic of the fourth sentence.

    Perform species.

Task 13.. Prepare expressive text reading. Explain the alignment of punctuation marks, spelling the selected words. Prepare to write down the text under dictation.

I remember for a long time: heat, stuffing, sticking at the temples hair, throwing in half-breed: heavy The child is sick. And suddenly from somewhere, exactly from another world, floats something cloudy, soft, cool and strokes forehead, reducing pain, and reduces heat; and finally sleep comes - strong calm sleep recovery...

Mother's hands. I remember them then, in childhood, - beautiful, with long fingers. I know them I. present... I know also: whether negotia trouble, whether the soul burns, will you lose yourself or love, the first hand stretched on helpwill be your mother's hand.

True, sometimes we appreciate it too late and late Trying flowers beholdhis Related, inattention,and sometimes - what shy for some reason tell her about love. In life.

Differently Their fate was the fate of our mothers. Take a look at these hands: exactly the branches of the old tree, sad flows They are kneeling. The years left their traces on them: deep tracks marked losses, grief, fatigue, non-sleeping, swollen, precisely streams in female, overheatedvienna ... I see mom on the threshold of the house: worked from dawn Until the evening, I went out on the porch, sighed, sat on the heated steps, folding his hands on his knees. Waiting something? Maybe yes: Son that long ago was notvisiting, daughter that Grown unnoticed, grandchildren. Here they will resort - she will raise them, will talk long a fairy tale or sing a song, going through children's locks...

Invest maternal hands in their own, lift, approom to her face, Pee in spreaded wrinkles fingers. They are once were bending and agile, soft and smooth. But whatever they are - young or old, smooth or "with novels", nothing There is no more beautiful and can not be in the world.

(On O.Kuzmina)

    Express your attitude towards the problem raised in this text in small creative work. Praise including above questions:

2) How can we repay, pay mom for her love, stuffed, like a burning candle, through all the years of her life? For sleepless nights, spent near our crib, in the fight against the enemies and rows, which often fall into the proportion of children? For the daily, painstaking, continuing from year to year, and together and so imperceptible work in the house, by housework?

(By A.Vladimirov)

Use where it is possible to express your thoughts of non-union complex suggestions.

Task 14.. Read offers. Try to call the author, work, genre. Spish, arranging punctuation signs.

1) suddenly the cheese perfume fox stopped the fox sees cheese fox cheese plenil. 2) The crow dart into all the roronieu throat cheese fell with him there was a cheating. 3) I will find the secret and Larchchik you will open in the mechanics and I stand something yes. 4) Here, for the casket, he accepted him back from all sides and his head breaks his head. five) Neshe They judge exactly that way they do not have any trifle. 6) "And it is angry in vain, he will freeze drinking tortured him in any way I can not." 7) You look at the dolza of a lot of cotton, it mocks him all the way it seems from the skin. Yes, only everything forwards is not served as a squirrel in the wheel. 8) Frog in the meadow Seeing the oxen started in doroduce With it, it was envious. 9) With Pill, my Orest gnaw only to shreds Up flying to the nation finally spilled them with water. 10) I am your vintage swat and kum came to put up to you at all for the sake of a quarrel forget the past settling the common lAD! 11) Everything went with the winter cold need. Hunger comes dragonfly and does not sing and to whom will go to the mind on the stomach sing Hungry! 12) He [Bridge] It seems to be simple and the property is wonderful there is a liar. None of us go through it does not dare until half, it will not come out and fall into the water. 13) This is a pike of your science forward smarter to be and for mice not walk. 14) The man's guy was not great, he found immediately in the brawl. 15) That's what I heard about dry To mosquito revealed contempt Lev Evil took the mosquito offense, did not rose a mosquito on Lion's war. 16) Here the nightingales to show their art began to whistled for a thousand wards pulled out. 17) such examples in the world does not like to recognize anyone in satire.

    Explain the alignment of punctuation marks. Draw the scheme of non-union complex proposals.

    Give a complete punctuation characteristic of proposals 5, 7, 9, 11, 12.

    Determine the values \u200b\u200bof the selected words.

    What value is the word dry In the 15th sentence? Select it synonyms.

    Recall the rule "Spelling Again, " In the verbs, "and illustrate it with examples from these proposals.

    Perform species.

    Specify parts of speech in the 9th sentence.

    Continue the formulation of the output: "Basni I. Krylov enclose ...".

    What are the phenomena, the vices are ridiculed by the bars in their fables?

Task 15.. Read offers. What signs of punctuation are needed in them? Explain your choice. Fill the table.

1) The day was surprised in the morning I went wet snow in the morning with the rain ... (B.Chaaev)2) Fomich examined his dilapidated carzy boots and decided to bind rubber soles with raw straps road to Tikhanov far. (B.Chaaev) 3) The day was cold-blooded milk white disheveled clouds rose towards him in the blue spangle between the houses. (V.Nabokov) 4) She looked at himself in the mirror: the face was paler than ordinary. (V.Nabokov) 5) In the appearance of it there was something a leopard stretched forward stupid face with black mustache and a white beard bevelled low Lobik and tightly lying like a shaky gray bristle short hair. (B.Chaaev) 6) Winter is not afraid to be angry. It's time for spring in the window knocks and drives off the yard. (F. Tyutchev) 7) OCTOBER ARE EFFECT ROOTS DIDE the last sheets with the naked branches. (A. Pushkin) 8) Over the hills in the clean clock, the air was smoking the warmth of the bitter blasting smell of dry wormwood clearly sounded the distant voices shouted flying birds. (V.Resputin) 9) I lost weight Mother who arrived at the end of September was frightened for me. (V.Resputin) 10) Embraught by Else Nastya amazedly looked at the snake of the Vauduk still lying curled to the ring in the warm ray of the sun. (M. Prishvin) 11) It's already begins to the evening air and everything is cooled with everything. (M. Prishvin) 12) pulled the autumn refuge road freezes. (A. Pushkin) 13) It was so happened in their family all the misfortunes fell out just on Frolov day. (B.Chaaev) 14) Repair would be the death for the house it is impossible to brake the old concerned bones. (V. Bel) 15) I remember the wonderful moment before me came. (A. Pushkin) 16) Freedom and the promiscuity of the concept is one different opposite. (Quintilian) 17) Education needs three things in the dateing of science exercise. (Aristotle)

    What suggestions you did not write? Why?

    What table columns remained empty? Fill them with your examples: make your own offers or write out of literary works.

Non-union complex sentence - One of the two main structural types of a complex supply in Russian, which stands out in a formal criterion.

Asyndeton - This is not just the absence of the Union, is the mobilization of other means of communication of predicative parts: intonation, the ratio of species-temporal verb forms, lexical indicators, etc. This is the use of the structure of a simple sentence as a structural element in complex.

For example:

The rod bent into the arc, the fishing line with a whistle crashed into entering(Paust.) - The relationship of predicative parts and the expression of relations between them is carried out through the intonation of transfer, the ratio of species-time forms (sequence), as well as parallelism of the structure of parts.

The task:

Compare:

Grass grave- the ability to overcome pain(S.) - the ratio of comparisons is transmitted by intonation (the dash sign indicates its structure), parallel to the structure of parts and lexical repeat (verb overgrownused in different values, but in one form)

The non-union complex proposal is characterized by its own structural qualities: the expressions of various types of relations with various indicators, the number of parts, openness / closedness of the structure; A clear punctuation is very important.

The equivalent relationship is transmitted in the form of enumeration.

For example:

Stressed the woodpecker on the Christmas tree, launched a drop of rowan(Arrived.);

FROM roofs flowed, the sound of the droplets did not give to sleep(Paust.)

or comparison: Anxious night autumn pore- dawn is still anxious and noine(B.)

When listing the structure is open, the number of predicative parts is not limited; Relationships are drawn up by intonation (uniform increase in tone by the end of each part, the same position of the phrase stress), the ratio of the verb forms, parallel to the structure of the parts. The letters use commas.

For example:

It rained, the snow fell, cracked frost, took and missed the blizzard(M. G.);

Sunrises have become foggy, thoughtful morning, anxious-sensitive days, night sullen(Shishk.);

From the roof of the Capal, silverly icicles, the tar stripes of Cherneli on the eaves of the traces of flowing sometime(S.);

I cried in the courtyard smoke blues, above the roof hungry drifts, poured the gate and gate(B.)

When listed, the value of the sameness is supported by the same type of predicative parts.

For example:

The thick dew lying on a grudge grass, heavy drops fell from the lime leaves.(A. T);

Tightly locked gates, evening fermen, wind quiet(Ahm.)

As in the complex proposal with the transfer relationship, when using the verbs of the perfect species to the value of the submission of actions, the events may be added shades of the result, effect.



For example:

Clouds began to demolish, the moon appeared(A. T);

BUT sky with a sunset edge cleared up, the sun looked out(Shuksh.)

When comparing the structure is closed (two parts). The central component of the intonation of opposition is a big difference between parts in the height of the tone. Relationship ratios are supported by the use of antonymic vocabulary or contrast of approval / denial. In the letter, the main sign of punctuation - dash.

For example:

On the courtyard paled summer heat- the house was cool(B.);

But now there is no house, nor boys, no cats- stands in the field factory(Hyde);

Half of the yard in the shade, half of the illuminated(B.);

My soul killed- it remains to kill the body(Across);

All the circle quickly and calmed- some quail occasionally shouted(T.)

Relationship ratios are manifested in the fact that one part of the proposal explains the other in one way or another; The structure is closed (two parts). The most characteristic is the relationship explanatory, conditional, causal.

Explanation affects the semantics of the first part of the proposal of the whole or individual words (verbs, pronouns); Relationships are transmitted by special, "warning" intonation. On the letter, the main sign of punctuation is a colon.

For example:

So, you were not mistaken: Three treasures in this life were me, Otrada(P.);

Each log house was sitting separately, in itself: neither the fence around, no gate was noticed(T.);

The room was closely and strange: she resembled a storeroom antiquary(Paust.);

It is divided since ancient times. Labor: the cities are handed over to the soldiers, the generals take them(TV.)

Conditional relations are expressed by intonation: contrast parts of the supply in the height of the tone (a very high melodic vertex in the first part). In the letter, the main sign of punctuation - dash.

For example:

Stolly go- hair do not regret(Ambassador)

The causal relationships (the basis - in the second part of the proposal) rely on intonation (similar to the explanatory). On the letter, the main sign of punctuation is a colon, possibly dash.

For example:

Only in the day in the garden was quiet: Restless birds flew to the south(Paust.);

With envious it is better not to go to catch- it will not be to penetrate(Paust.);

But in this room I rarely and reluctantly: I squeezed my breath there(T.);

Only one Stepan Astakhov nobody cried- no one was(Sh.)

A special kind of relationships represent the connecting; for them is characterized by additionalness; Parts of the Offer's Offer, have completed semantics and structure. In the system of non-union complex proposals, this type of proposals occupies a special place - as if intermediate between similar and non-analogical. As a rule, they do not allow "insertion" or writing, nor the verification union. The punctuation of these proposals is determined by the two rules: a semicolon emphasizes independence, autonomy of the first part, and the colon is incompleteness, the need to develop a message.

For example:

Wartime stretched for a long time; It seemed that he would not be the end(Paust.);

Litvinov entered his room: the letter on the table rushed into his eyes(T.)

The non-union complex proposal is one of the two main structural types of a complex supply in Russian, which stands out in a formal criterion.

Nezoryuzie is not just the absence of a union - this is the mobilization of other means of communication of predicative parts: intonation, the ratio of species-temporal verb forms, lexical indicators, etc. This is the use of the structure of a simple proposal as a structural element in complex. For example: The wind witnessed stronger, trees were injected, prigidaya to the ground. - The relationship of predicative parts and the expression of relations between them is carried out by the intonation of transfer, the ratio of the species-time forms (sequence), as well as parallel to the structure of parts. Wed: Trahowl bumps graves- the ability to overcome pain(S.) - The ratio of comparisons is transmitted by intonation (indicates the sign of the dash), parallel to the structure of parts and lexical repeat (verb overgrownused in different values, but in one form).

In BSP, the ratio of equivalence / unequivocal relationship (similarity / non-analogue) is expressed in the BSP, which in union complex proposals are transferred to writing and subordinate unions: Pinkish-lilactones of sands tuck, [and] The desert dark(IN.); Until virginskoya- cheerful, and strong, and a horses; [Only] issued- everythingfor sure, someone who is(A. c); [if] in the ruble a penny there andnot full of ruble(Root.); Dust and smell of pair milk hungabove the village streets [because]- with Forest Polyandrove cows(Paust.).

However, the possibility of inserting the Union does not mean that the BSP must be attributed to a complex or complex, especially since not always this inset is permissible. BSP is characterized by own structural qualities: expressions of various types of relations with various indicators, the number of parts, openness / closedness of the structure; A clear punctuation is very important.

BSP is a fragment of the syntactic system, in many respects not yet friendly science. It is largely due to the fact that for a long time attention was drawn to the facts of a codified literary language (CLA), which was identified with the literary language at all. Meanwhile, the scope of the existence of a non-union complex proposal is predominantly spoken language (RAM).

In KLA, the main type of complex offer is allied. In scientific and business speech, non-union offers are almost not used, only a few of them are allowed here. A more widely non-union proposal is presented in fiction, and mainly in its areas that directly imitate RAM (in dramaturgical works and in the speech of heroes in the artistic prose), as well as in journalistic works with a decrease in speech discharge. Disconnected complex offers in poetic speech are widely and peculiarly used.

In many cases, the non-union design design of the joint venture is normal, while for KLA it represents a deviation from the norm allowed only to limited speech areas. So, the joint venture corresponding to the locomotive-correlation proposals of KLA, in series consistently and is regularly executed without unions and correlate words: There was a terrible thunderstorm, we were frightened (there was such a terrible thunderstorm that we were frightened.) He is silent, it is impossible to achieve an answer (he is silent, so it is impossible to achieve an answer).

None in any speech sector of KLA is presented all the diversity of BSPs that are in the risk. There are many of their samples that are implemented only within the limits. Such, for example, non-union proposals, equivalent SNPs with an observative presidency: And this is your dress, did you say yesterday? (\u003d you spoke about yesterday).

The functioning of the BSP is preferably due to the specifics of the formal and semantic organization. In BSP, the semantic relationships between parts do not have an explicit expression and should be removed by the speech addressee from the content of parts with a support for the general knowledge of him and the speaker. In the conditions of implementing RAM, when the speaking and addressee of speech is in direct contact and the speaker can constantly monitor the understanding of the said interpretation, and if necessary, and adjust the incorrect interpretation, the BSPs are economical and therefore a comfortable design.

HISTORY OF STUDYING BSP

The BSP semantics is not enough, grammatical values \u200b\u200bare difficult to differentiate, and this is due to the lack of allied communications.

Parts of the non-union challenge offer only intonation.

Until the 50s of our century, a view was dominated in the syntactic science, according to which the BSP was considered not as a special syntactic structure, but as proposals with "lowered" unions. With this look at the BSP, the task of studying them was reduced to summing up those or other non-union proposals for the types of allone; The need for a special study of their structure disappeared.

In Russian science, there was a robust tradition to share all the non-union proposals, like the Allied, for the compounds and subordinates, and within these classes allocate private types on the principle of the likelihood of allied structures.

Since the 50s, a fundamentally new look at the BSP, which is based on the recognition of non-union proposals to the special structural and semantic class of a complex proposal. This recognition has led to the refusal of traditional approaching their allied proposals and caused an attempt to build a BSP classification based on the specifics of their structure and semantics. One of these attempts belongs to N. S. Pospelov.

The basis of the division of the BSP, the sequential semantic criterion is found. Among the BSP there are two main types: 1) sentences onenative composition, parts of which are the same type in the meaning and equally relate to the formed them in the whole; 2) sentences inhomogeneous compositionwhose parts are different in meaning and are different sides of the whole parties. Inside these types, private varieties are distinguished - also by the nature of the semantic relationship between parts. Suggestions of homogeneous composition are divided into proposals with the value of transfer and proposals with the value of comparison. Among the proposals of the heterogeneous composition, proposals are distinguished with the meaning of the conditionality, causal, extremely explanatory and attachment.

This classification is an important step in the study of the BSP. However, it is not aimed at studying its formal organization. Meanwhile, the BSP is not non-formal education, but difficult proposals with a specific formal organization, and therefore their classification needs to be built, taking into account formal differences, as is done in the classification of allied complex proposals.

BSP Open and Closed Structure

If, when classifying the BSP, proceed from the same grounds that are based on the systematization of union complex proposals, the following will be found. In the sphere of Nezoryuy, as in the field of union connection, complex offers are opposed to each other open and closed Structures. The sign of the openness / closedness of the structure of a complex supply has a greater distinctive force than the sign of Nezoryuy / Union connection. All proposals of the open structure are both non-union and allied - similar to the structure; Moreover, in the proposals of the open structure it is possible to combine nonsense and allied communications. Complex proposals of the open structure as a whole make up a special formal type of complex proposal, characterized by large internal homogeneousness, in which the opposition of nonsense and allied communications is not so significant as opposed to nonsense and allied communication in complex proposals of the closed structure.

The non-union proposals of the closed structure are a special formal type: they are counted against writing and supervisory communication, since the closeness of the structure is possible both in writing and at a subordination, and specific means of expressing a particular connection in these proposals are absent.

Attempts to put intonation designs The basis of these BSPs to the compounds and subordinates are untenable, since there are no direct and mandatory compliance between the intonation designs and classes of the non-union complex supply: the same in the form and lexical filling of the BSP in different speech conditions may have different intonation design. . In the non-union proposals of the closed structure, thus, a special, characteristic of a complex proposal is also expressed and not submitted at the level of the Communication Communication Sword - undifferentiated syntactic relationship.

There are two formal classes among the BSP with an undifferentiated syntactic link: 1) proposals whose parts have some specific formal organization (suggestion of the typed structure) and 2) offers, parts of which do not have a specific formal organization (proposals of the inepiest structure).

BSP typed structure

According to the nature of the formal organization of the proposal of the typed structure, there are three species: 1) sentences with anaphoric element in one of the parts; 2) proposals with the optional position of the final particle; 3) offers with unsubstituted syntactic position in the first part.

Suggestions with anaphoric event, there are two species depending on which the anaphoric element is contained from parts; These species also differ in the character of the anaphoric elements and the semantic relationship between parts.

BSP, in which an anaphoric element (word with informative failure, the content of which is revealed using the other part of the BSP) is contained in the first part, by the nature of the relationship between parts come closer to the NGP of the location-corrective type. However, in contrast to the location and correlation proposals, non-union offers do not contain grammicalized lexical elements similar to correlation words. The anaphoric element in their composition may be an index pronoun, a combination of an index particle with an interim pronoun, a determinant pronoun with a cumulative or excretory value, a combination of an indefinite pronoun with adjective, distracted by a noun, i.e. any word that is constantly or occasionally peculiar to informative failure, service function; Wed: He was confident in one thing: so continues can not continue; Another thought was added to this thought: whether it was worth a weird proposal at all.

BSP, in which an anaphoric element is placed in the second part, as anaphoric elements contain only index and personally-index pronouns or combinations of a indicative particle herewith relative pronoun; eg: The glitter of the lights reached the bottom of the bay,so there was marine water(K. P.); Shaggy hair wantstouch your hand- such they are fluffy and soft(Lib.); From B.raga began to comment a solid roar: there was a monstrous one in the sandrow(Yu. K.); Occasionally from the edge to the edge of the mall rolled offnoise- then the asked the stones of the wave(K. P.).

Offers with the optional position of the final particle really or potentially include the final part of the final particle so (less likely): I would have silent, (so) there would be no quarrels: I'm leaving, (t a k) you will drive the door; Call you, (t a k) go; You will run a bush, (t a k) you will pull you all dew.

These proposals are expressed by undifferentiated relationship of temporary correlation and conditionality between the two situations: The weathered face is burning, and you cry your eyes- all landand swims under the legs(I. B.); In the smelly standing- in the age of Sog.rech(ANT.); Throw into the sky rocket- help help.

With a certain lexical filling and the ratio of modally-temporal parts of the parts, complex proposals of this type are obtained by a narrower value. Thus, the differentiated value of the irregular condition have sentences with the modality of estimation, for example: [Manka sometimes seems to be:] I don't go everyday with mail on this path, everything would have long stood(Yu. K.); cf. Also, the above example with the forms of the subjunctive inclination in both parts.

Suggestions with an unsubstituted syntactic position in the composition of one part (as a rule, it happens first) by the nature of the relationship between parts and in the structure of parts is close to the ISP violate. The fact that structural schemes and those and others are implied are: a) the presence in one of the parts (the main thing in the NGN and semantically similar to it in the non-union) support word of certain semantics, with which the second part of the proposal relates; b) the absence in the supporting word spreading its shape of the word, which is an alternant of part of a complex proposal, i.e. presence of unsubstituted syntactic position; Wed: It wasclear: we are late- It was clear that we were late: hesaid: Call the laboratory "- He said me to call Laboratoria; I asked: "Where are you hurry?"- I asked wherethey areso hurry.

Non-union proposals in the inepiest structure

BSPs of an inepitized structure do not have expressive formal adoption, which would make it possible to distinguish the classes within them on formal bases (types). By constiting one formal type, these proposals differ in value by the nature of the semantic relationship between parts. The following semantic multiplication and units of an inepitized structure are most commonly used.

1. Explanatory offers. Their first part contains an event message, and the second comments on this message, giving it a motivating or clarifying explanation.

In suggestions motivating explanation The second part contains the rationale for what is said in the first, for example: [Levitan whisper read verses of Tyutchev.] Chekhov did terrible eyes and cursed too in a whisper, - he had a slander, and poems were scared by cautious fish (K. P.); It is necessary to go quietly: you can see how the gallinka drinks water here (pr.); For a long time, it can be seen, no one approached the well: a curly Muraba (KF) was trembled tightly; Serpilin did not answer: I did not want to argue, nor say (sim.); The shoes lasted badly: the pieces of cords have long fallen off, the ends have become similar to tassels and did not peck in the holes (ANT.).

In suggestions clarifying explanations Parts report in different ways about one event: the first part contains a more general message (often unnewned), and the second more specific (often more complete and deployed), for example: Half-tree forces made their own: the upper branches This fir carried to the light(Etc.); DUK.lo Dyatlov have to look for the same as the mushrooms: all the timewe hardly watch yourself and on the sides(Etc.); Began to livein cherished- any Demid is striking(K. F.); War as MOneta: how many rolls, but still it will not be on the edge- lyazhetor eagle, or a wide(Sim.); His work is visible, it was interesting:on the filler dowel meadows near Kumshak, he did a dam(ANT.).

2. Comparative offers. The second part of such proposals contains a message that differs significantly from the first part message, for example: Hour janitors alreadypassed, the throttle hour has not yet started(I., P.); Levitan wanted the sun,the sun was not shown(K. P.); She was tried to hug her, she was still resisted.

The semantic differences between the proposals of the inepiest structure are created by different lexical filling parts and some other features of their semantic and communicative organization. The condition for the appearance of comparative value, for example, is the symmetry of the ratio of the current and grammatical membership within parts and the presence of members (at least two) in them, which are in associative connections with each other. So, in the proposal I could not advise with my father, I could have been able toactual membership equally separates the first substantive component (with Father- with a friend)from the responding in both parts, with these substantive components and the fag (I could not consult- could)make up associative series.

Punctuation signs in non-union proposals

BSP from the point of view of the nature of the relationship of its parts is several species.

1. Complex proposals in which facts or phenomena occurring simultaneously or consistently. They are characteristic of descriptive structures.

In such complex suggestions, its parts are separated from each other with a comma or semicolon. The comma puts mainly when the relationship between parts is very close - for example, when incomplete simple proposals are combined in a complex proposal.

The point with a comma in such complex suggestions is required in two cases: 1) when it is necessary to emphasize that the connected parts to a certain extent are independent, although they disclose one common topic; 2) If inside the predicative parts associated parts, there are punctuation marks and you need to designate the boundaries.

Much depends on how the writing itself understands the relationship between the parts of the BSP, as it grows simple sentences inside the complex. The point with a comma between the parts of the BSP is more common in the XIX century. There is an opinion that a point with a comma is an outdated sign of punctuation and therefore excess, although there are no serious grounds for this opinion.

2. When between parts of the BSP there is a comparison value (or opposition); One of the following punctuation marks is set: a comma, a comma or dash point.

If parts of the complex proposal of the brief and they contain comparison, they are usually separated by commas: I was angry, he would sorry.

With a sharp opposition put a dash: Behind mecharged- i did not embarrass the spirit.

A dash may also indicate an unexpected turn during the presentation.

The dash is placed in the case when the second part is a conclusion or the result of what is said in the first part.

3. Wide distribution in the modern Russian literary language was obtained by the BSP, in which one part refers to the other as explaining to the explanable one.

The firmly approved acquisition of the punctuation for the designation of the pause between parts of such a proposal is a colon. However, the "dash" sign in such cases will also be admissible. (The door block lungs and heard mealsteps: Someone entered and went out.)

Explanation affects the semantics of the first part of the proposal of the whole or individual words (verbs, pronouns); Relationships are transmitted by special, "warning" intonation. On the letter, the main sign of punctuation - colon: So, you were not mistaken: three treasures in this life were meotrada(P.); This voice always meant only one thing: anotherpeople need your immediate, urgent help(Sol.); Each log house was sitting separately, by itself: no fearcircle, no gate noticed(T.); The room was closely and strange: she resembled a storeroom antiquary(Paust.); Dramed by ancient times: cities pass soldiers, generalsthey are taken(TV.).

Conditional relations are expressed by intonation: contrast parts of the supply in the height of the tone (a very high melodic vertex in the first part). On the letter, the main sign of punctuation - dash: Stolly go- hair do not regret(Root.).

The causal relationships (the basis - in the second part of the proposal) rely on intonation (similar to explanatory). On the letter, the main sign of punctuation - colon, possibly a dash: Only day in the garden was quiet: restlessbirds flew south(Paust.); With envious it is better not hodiet- it will not be to penetrate(Paust.); {!LANG-1d3864d2eceebca5f56a00a0c19845f3!}(T.); {!LANG-2fa499d88b270a4cbe3d3f856b76c623!}{!LANG-93d30b758689100bace3155bbf4ad0ae!}- {!LANG-230766e3ea299000593d874dcb5a02fc!}{!LANG-6f3d96a16f4c3b886eb830da8d5dc9f6!}

{!LANG-a17f9865161dd69becb149c288db1bc3!} {!LANG-e1a665befa49efbab124dc29987c0072!}{!LANG-ee0544e654b975a6712dcf20ceca1e6d!}(Paust.); {!LANG-ccb66bd2dca5510635fd5c079093fe2d!}{!LANG-9ff219030e94a072f8d14cc6a61d6988!}{!LANG-644c2f2a345a0dfa464d0b0b7f36b9cd!}

{!LANG-0db98ced25611758edc60012f388a1d6!}

{!LANG-24a8ef7d6092e98e806b9a4962e11dbb!}

{!LANG-9e06610c7cdd64510951a480d3d1e633!} {!LANG-1deeafafec24ab93b810875080cde95d!}{!LANG-d9fd5f84b110ada44b1739ab157c58f0!}{!LANG-24ff1faaa3037a606e5652c9b1654d43!}{!LANG-ef816ba419474e63cc245cc11eff9361!} {!LANG-052f31960462fe9541660dfd9f82f8ea!}{!LANG-15e2c8a5111ebab698a7dd72b90fca97!}{!LANG-6451192c0d7be879bf92d01fb56361fa!}

{!LANG-8a0603e46e6d2a8cfdde8bcc9d32bd41!} {!LANG-f32944268fd87d7b4b0d1de171149822!}{!LANG-93f88103a6cd90eeff6ae0937f38c4da!}{!LANG-d280c1c4861380de9f1dbf83d514beb3!}{!LANG-0e46a7766d470d3613be9f0648a862a2!} {!LANG-be79b63f300d632934978d5dd2283fd3!}- {!LANG-6d7e5979d0d328e943d89c0128adfc7b!}- {!LANG-4c2a8eb2a26eaee284328651864e7453!}- {!LANG-47543642aed593d33d5c3aa88b4465fd!}{!LANG-6b38a055ddf1d9f80e1115ac7174b44b!}

{!LANG-892bccceba8528e274a3b087d7607494!}

{!LANG-2d9e83f232a92ffe15e066a7d57170aa!}{!LANG-7435e807df7840a8a5bbad77355e956a!}

{!LANG-ae616df21589646f507c0c3130f3301b!} {!LANG-d00c63ee99665f5ff5279043780c6dd8!}{!LANG-07d75af6a2209bd270c0515303904f89!}{!LANG-b8d484f7175f2075e496a7cb836137eb!} {!LANG-10fc5d63aedf91c380e2932f4a724eab!}{!LANG-6af2673403b869d2bae6fdf79fa8a339!}{!LANG-f7264b7b382c9d75fef6a90926c57a65!} {!LANG-988a421a0d39475679aed4b18fe2d1aa!}{!LANG-0c98fd2bed47ab5dcd997a807528fe38!}{!LANG-7633df29d598394a0b68d0001f149d63!}

{!LANG-99a04deaf2e3215d54b99c2e4514f866!} {!LANG-36ae287a7af92030b3c8de65f5a021ff!}{!LANG-b7238880141af748eeeda1b4fedf293f!}{!LANG-4bd2f339a7255308fbeb489c4907c4e9!}{!LANG-8ffbc1ed42d476450295e9ba108d89f3!} {!LANG-56fd895a31e45faa893c2736c5d930c5!}{!LANG-d0ecc76fa1ad97ddbe26de475c23bb56!}{!LANG-3d3eb3cd2940ab1219fa9160c873d043!}

{!LANG-155b84940d0412b5755d2304a8c5b41c!}

{!LANG-e7aa39231e60120b3ff8f726b6dbca7e!}

{!LANG-fe5cccfb73b5ef2df19b483784d74c51!}

{!LANG-bb9483c13e31f39d93c2e9c0890bc372!} {!LANG-a695c4132a8ed50dd065419541cc74e9!}{!LANG-820b6a323bfb3685abd53751a53bde44!}{!LANG-d79a6992c833caf8bea5962807e2f5dd!} {!LANG-13ec09ddc8d2d86c4df8244efb867248!}{!LANG-6d93366b5d383380e068c55cdf0ccc71!}

{!LANG-8e6b8ee5eaf1a5ac4e0c3813e2be715a!} {!LANG-4002056481ba095a99d04864bcb9bbd3!}- {!LANG-483388669b2fe2d94577f89aaded13db!}(Paust.).

{!LANG-104e38dacd8b55b1bf0068a53653b807!} {!LANG-93db05fa0cd2a8686609db223ef9a191!}

{!LANG-cba23ef439f63f5275844856d7507d6f!} {!LANG-e7842203f0058b6e2e9ad556710d2201!}{!LANG-54738e6a5103434dfd4a3f7ca036a2b7!}{!LANG-fd31de11f9965e2eb99fd64b8fce9172!}

{!LANG-ec6be40fedb8eb5e719aac2a5013699d!}

{!LANG-c8724e905ffee399487e4c95a3330b9f!} {!LANG-c5c72d9dd12e11dde5d8827e282024e7!}{!LANG-7ad202574d0134b04ed261723fb32580!}

{!LANG-049fc5c3676286c6e321143deea88814!} {!LANG-fc3fd81161c619a6b99f013400799bd7!}{!LANG-b8ae5641892249eec1d41b9dde4988c0!}- {!LANG-34258e309d4030f168606af9228eb8e0!}{!LANG-3d51342c5c894cb043d6247c4a9db2e1!}- {!LANG-384df0033ed1012d9578c0266c6eaf42!}- {!LANG-928659f793bae434916d087b12d11fab!}- {!LANG-63c9f78e2f0d5df10e418ac7920b2c9c!}{!LANG-02799053da801b508b1c9b294707a447!}

{!LANG-1280422b0e2a904fd53135952f7954b7!}

    {!LANG-a4f0991c194ad94c0d5b4b578421de67!} {!LANG-3dfe94bea900edc4d8e93fd66ebfd5f8!}- {!LANG-22418301c8ee33bc260b44438d4fcc91!}{!LANG-33a73f4ae319aa0f0d4f425c8389a0f6!}{!LANG-22dc9106cd9227f0a7d9fde8564347fb!} {!LANG-dadacbbf63dc37b12d69189824c07f35!}- {!LANG-0fceb5865a1c661fb4987a3907f91497!}(Paust.);

    {!LANG-7548d84a7171e73d1bc39a0cdbe8f63a!} {!LANG-e8cb44d3881f8ca04c0dff7fb5b95836!}{!LANG-bc730ab25e74c1f00ef8e8878765a29b!}- {!LANG-a5878f8bb0e2aa19646feeb840438633!}{!LANG-94de17baa5992800ab6561c1c0529b33!}- {!LANG-717b7ff6af82ac4670e2108de63a4197!}{!LANG-49cd2b1c7011f8ca54117d61ed4497a2!} {!LANG-dd78eafa79c50a53e95d9149826847e9!}- {!LANG-bbbf9b47b95c131888ebf14fea0c49bf!}{!LANG-42d02607227ab2b591a6d2c8ca06639e!}- {!LANG-bee3628fb584e9c932f1b4160adc0f2b!}{!LANG-53f4859aab19dcc5fecb509c5edb5196!}

{!LANG-c36e44456e6716be9c89c583d26d6146!} {!LANG-d3824582e7acf9f50e009bf7502370e9!}- {!LANG-7b072dcb7b3009a0c8f77481158ffabb!}{!LANG-0caf4f0dc41aaeef5dc40fed7200a789!}{!LANG-5b20328bb81d0388544ac5b062198574!} {!LANG-ee9eff501d936dc79bb22926b558afeb!}{!LANG-cc92ea81f2041bad8544cde7dbc94562!} {!LANG-d8a69a2b538827640aead4b658888fc7!}{!LANG-31f8c8ab83d14d7f00930c0172b1c177!} {!LANG-ccd1be540b78d3bdb4d185fde9dd7f1e!}{!LANG-e8f5986eac8d19a874548471d068b91b!} {!LANG-51af32fd6df075675a792c94564a2e29!}

{!LANG-38ea9327c61f6a6b3adb3645ca1d6ae2!}

{!LANG-dff64c18e0d0ad6f843e7ab72d6df380!}

{!LANG-592b9532caa7871bf3b768b915e2527f!}

{!LANG-2536afe3313f17a0550a468d81ea8260!} {!LANG-4facf982e1ce387df0f036531ee64f75!}{!LANG-45903dc7cc309f860d044d2381d2b8a9!}

{!LANG-bf5c8c407899bd1b435bebbe227b86b0!} {!LANG-9118af7c01bd09c237ac67ccb4ff371b!}

{!LANG-99bd4b9fc6b3d53d39e387544552cce7!} {!LANG-f1d1224b0cdd7555641fdeeceaddf125!}{!LANG-995b192ed23e45f22cc2895d7d45bcf1!}{!LANG-0d7c0f493fbc98c790933fa18b1081a2!} {!LANG-c138615e2726ac27770eaf5d9d97bb0e!}{!LANG-f78af16a5ed7a957e57698b1325c4281!}

{!LANG-d88dd8e356294f8f49ad6ad98a6d66c8!} {!LANG-eacad3dfb20ac1d5759251fdae418bbd!}{!LANG-f8bd25a2a94bf396545b9a486b62b814!}

{!LANG-8ec506eb13b88dc45d6ff82821bcd22f!}- {!LANG-3e48ad24a0b325ce7b329efa11a6fc40!}{!LANG-cb940ccd7b526a6f08c771c1919c2d11!}{!LANG-b413fb3d0e5ae0444a4923a19d54591c!} {!LANG-829d574a22d274854be22c313d886f49!}{!LANG-3ea129fa1433dcae9105fecfa42601a1!} {!LANG-6ddfc1c6970bdc86d4172fa3c7962f29!}{!LANG-9004d06668551cf0d6ae02bb2e680b38!}

{!LANG-8527ae9b26badecdbbe28fdd9aedf0fe!} {!LANG-1847aa42cfc7670471a30dfd9513f5c2!}{!LANG-46747d3d18fa30811ddeabc8fb04a23d!}

{!LANG-000abe8b97d6077d3cf4cc593305de3c!} {!LANG-353eeb052c8a4c37e11ede1ee280cf0b!}{!LANG-ba9491d95bfbf3b0e9c53b97c6c706c6!}{!LANG-e0fa623b5e39d3c0768e79601c89010a!}{!LANG-aa16dd0df22847029ed36f567d8e25fd!}{!LANG-d44a0a4dfd5f21595bc99bbe3f94712a!} {!LANG-4222b3f20bb456fa6dcfe58ab209e059!}{!LANG-cb5fd7dfe95d83a5326751976dcfd0d6!} {!LANG-c4d52a7ef7b03382cb6cf6e4936f751b!}

{!LANG-51c867ff07494f6371b3240702554f38!}

{!LANG-c1e8099c947993c2e3b9d98e4c5e68b3!} {!LANG-6942514d22fe25ee824278b7c6d9d3dd!}{!LANG-ba60a8eecc66ce8b784973504fb688f2!}{!LANG-32cf0e74a3fe32f9b21e0e7d78502c1d!}{!LANG-ebcf91c6502f93c8c79827cdc441499a!}- {!LANG-bd2bf5847f915cecf81172a85f70c57f!}{!LANG-b5b033b76df029af18dabe317f821276!}

{!LANG-c9d8014051e1f66cf5bb5dbfe7054fda!}

{!LANG-9815e79027b0560f1526914d5ad9e57e!}{!LANG-912f8ce0ee7d6f1a35f06f48a76f24ad!}

{!LANG-a33cc82f910601e4eddb286562182d17!}

{!LANG-49303834c27466a860a8fbc0c4eeb894!} {!LANG-7fee89f8d082a37cd801344b9c64ac62!}{!LANG-fbf007e2e1864513ca01e0855a45e26d!}

{!LANG-cbbaac95aea758b504f9be000465e2c2!}

{!LANG-29bed8dbf153e266054c415b2edb2631!} {!LANG-a9eb36d8a9b3f326a3ab39a8ebc2b623!}{!LANG-847483365b06e42aeed645a6287166ab!}

{!LANG-5f2920fd4fb1b0df4c8d83dcc6f79108!}

{!LANG-f828d4b1ff740f7f58327bacc5f2743a!} {!LANG-5e4e02b94018b87dfdca822eb91f819d!}{!LANG-500d202926d158174f759852f6530eae!} {!LANG-6506189d9ef1bb41209772566313c89d!}

{!LANG-f962e3747f6ee90ba30800dd2f70132c!} {!LANG-2bef4e82a6e42b30d6d55a21fcc6c45c!}{!LANG-7f65777ad62b568c0899d410b53c6f47!}{!LANG-5b4d84c266b24e1ca6aeab07db8dc4ce!}{!LANG-cf864f7df09967d9accc29d776d9da1f!}{!LANG-4a227a00978756c7d0908bd7d80f18c5!} {!LANG-3cf5ecccda9ea973fd1bc0372d90bf61!}{!LANG-24673212e9f7ec6b111f17e332f06358!}{!LANG-9034788f9dcf64f32b29cd7f2874060e!}{!LANG-90089c03b6b85791972b8661dcd667bb!}

{!LANG-175df3ad8494fc9a3ad2daf51fa705e2!}

{!LANG-20bc376a176d8f963fcd9558a90caaf5!}

{!LANG-26cfdab3f72906e6f28b68d797c1d4d8!}

{!LANG-e1bcbd15c6842aec08cdd9598b0f0b77!}

{!LANG-e30b78265f94aaee1a318dfbf585ad38!}

{!LANG-efafdcbc23264edce0f330c8912ef2dd!}

{!LANG-31b936bdd28cb970fc5a979d95b9d9a3!}

{!LANG-08f6a38cf61ff48696c9bb905cbb1fb3!}

{!LANG-a641c232c4123f416eadf870c8980fde!}

{!LANG-d2c2df5520d7ce48e332d5c417b90839!}

{!LANG-4a81c3306b0dc3311d271debdc94bf98!}

{!LANG-c8d48eaa66c5d3705076bedc2ff834f0!}

{!LANG-bde4bb6a6a4c47a2323824a1b2bcc50c!}

For example:

  • {!LANG-2cf309bb3fd9f61887986e1bcb2bb74e!}{!LANG-338cc6a29ba76ab20a32e537e57a8cd8!}
  • {!LANG-bfa304091401258e785d9d9f1b635f68!}{!LANG-d1ad5e0b5d569a81ee9db60f00ef945d!}
  • {!LANG-c9050344f62e89507a47dbd13b946a2b!}{!LANG-c398edd8fa43955690798b258c930c83!}

{!LANG-e7215ffe31811f43b7d948276278eee6!}

{!LANG-7b7429b90041f2e70a2f26f4c1802197!}

{!LANG-17a7520a51031a3c51db0924e14e9c9a!}

{!LANG-882454f970a3d9670a3fc0bbe0ac959b!} and{!LANG-02396fe69ff874e19c22f519881afb9a!}

{!LANG-b138a610481f165069446033808b2d78!}

{!LANG-bdacf48c059e08cd9557f092d4ad107c!} and{!LANG-2dd7a0a41c00a627c4a783b07466e0d8!}

{!LANG-bbad245c10c079103ceb38f516b550dc!}

{!LANG-b9ebc1537069a7d64d1df8669b542b39!}

{!LANG-8e4437287663b137f6a599c1ed0e60e1!}

{!LANG-221caa8a5c8c19f9a88660756669a956!}

{!LANG-66b2d14892fc7e07f6ef4d51aa48b2b0!}

1) {!LANG-7606b9119a94e2af2d6f9d22ac212661!}

2) {!LANG-5f3f5c18448f3811ef92dcb7499113be!}

{!LANG-dfe88bd19beba720b9210af5b9605c33!}

{!LANG-343103629d71380903bcbcb2976c40d9!}

{!LANG-4e75b2b04c2a6551c19fbc0e46a6d4f5!}

{!LANG-11959e7c2506a19f3eac0b6b65fe5a28!}

{!LANG-1c210d075a57e15855caa491b7a06e07!}

{!LANG-f6809c5eb2dc65ae2440726ac7ffd02b!}

{!LANG-25a4987f5f78c96e60339796a1ee773b!}

{!LANG-fbe44ffce7f15a98e1da6f17e9455e12!}

{!LANG-7e5f45aea45be671537981275cf3f7fd!}

{!LANG-2d89e0a51f3b34818a9357ed65d0cdc8!}

{!LANG-ca41aa1c24b245dceab60aaab21ef4ba!}

{!LANG-12b34190a5a8fe5dd91c044a7a1cd45c!}

{!LANG-8bc7233996600ab4b461c11ebafccd45!}

{!LANG-5aecab3dc0e3479991b03a6c6fad2343!}

{!LANG-d41fc6b6400d815ce67c4a75fe6ecfba!}

{!LANG-c23295bfad196b0cf9bc63f73175c08b!}

{!LANG-e28f983b25e115790411b9e5b1ffdd64!}

{!LANG-67a89c1268231bb3a678eca8aa421d03!}

{!LANG-7c48831bd775a5296f1dce293c531278!}

{!LANG-bbfdd55e7ab9eee4154cfb86a8e92523!}

{!LANG-6053bd6355626d11ed46bf74d2fef861!}

{!LANG-0d6121b32e82965ac8ab57d2f9a54a0d!}

{!LANG-741acca05afbe8016e35d634bb7abb22!}

{!LANG-9263a4ba2d2bd805c68417bc71726394!}

{!LANG-7fc5a03e621d429f6eab7012f8ad82de!}

{!LANG-93cc159ffcc6079a77a25cd0c7f214dd!}

{!LANG-5c6b55df8f70a2681afdd9d05ba8d181!}

{!LANG-3fbf6deb83e3b804d5a83d19af25687d!}

{!LANG-f922902c0c8b91d7af119d3c4bd286bd!}

{!LANG-64fb9bd95ddd2db29f6b158ca5ebbf38!}

{!LANG-0192574b8dc648b7e18524be96818eb9!}

{!LANG-c2f8c9273c8202abfd594455091a6c1e!}

{!LANG-f85925e858ef2fecd12630164d4ee605!}

{!LANG-591cd10973b6fb69ea434bebfdfb45cf!}

{!LANG-2ca99988305500b8cb5fb55e1e4ac479!}

{!LANG-fdd9781c9259e6b6e8f38501ef5e0250!}

{!LANG-38ed371e59c627bc00acdcf1934092a3!}

{!LANG-ad90792a03d995e3bd808b81691b5f19!}

{!LANG-1bce40e85bf8393c762069c0486dbc41!}

{!LANG-a254b31fa5d000640507b29844ff0e2e!}

{!LANG-bc319688e4c9f2b93aba6775aedba59c!}

{!LANG-710f7c20bd5c39669f3e4b2e132a4607!}

{!LANG-e8798587db83062475097dfc4aec9e59!}

{!LANG-e1afde75f31deeb74140e2032e00a05c!}

{!LANG-a2f4a34115d120a4aa5694b30860a200!}

{!LANG-260b59f16ee066dd06a074a505a18ce4!}

{!LANG-0a6a8d1f0f7c9a8629e8f819a75a9045!}

{!LANG-f1d168a72daa71147bdf069a54123000!}

{!LANG-42b5d912eb734cd95918a8635369dd90!}

{!LANG-511d455f4d2daadd54af92ac9bc0a09c!}

{!LANG-5c3dddf036af71503f4da21bd5dc6130!}

{!LANG-0cbc41166ab28780377b908482dd0bbc!}

{!LANG-1ef1c540efdba1f4f575ba2c81cf943c!}

{!LANG-a373be21d7a219bb784ff40f000ae765!}

{!LANG-4cbc70b685c9a6fb3c4a7c2991260285!}

{!LANG-d1aa2e0c137743100f57e9c603093072!}

{!LANG-3c8f46739f9a3218a714b2982a802f1f!}

{!LANG-ad052b561077a4b812f28414d8a6d999!}

{!LANG-49c2d785ba493170c3cddc90d6c01ff3!}

{!LANG-a86c40ab3b7f177384f72238653f7219!}

{!LANG-20864f146eb3387530d1c48009ac8175!}

{!LANG-f66a45ca14df5af0bb349ff1e78cd496!}

{!LANG-a0d6c3a0975080b1717a38b2fbc58362!}

{!LANG-4c4f783f1f10e967a7bdcd99f3895817!}

{!LANG-0eae6ebe27b786d32729e02cf6b69a88!}

{!LANG-e4b54049aa76b875b37c999235b2eda7!}

{!LANG-cd7a2a55882227bd795ff33e6b0a4d2c!}

{!LANG-8c5bdcd45ddc159efa43ebe5a985c9b3!}

{!LANG-f97a5906f74493ba3de50d52f06d5bc3!}

{!LANG-d078d2a33d404e7f6421eb5ea2a30b0a!}

{!LANG-894193f4853f880d699ad70fb3de8ca9!}

{!LANG-9c93bf388dc743cc47a0840581d836ad!}

{!LANG-feea32b08ae0708511daaa903952deff!}

{!LANG-d3c30571dd0d7e9604499fb2b36d4cf4!}

{!LANG-aee04a37a9a2841c1543aa1b4a3794b3!}

{!LANG-835c448de415b942e6116d2cc2fd405b!}

{!LANG-a35b67623e7430ab7f201c6951d0613b!}

{!LANG-a02a76856b8c9e031ee8fb28b5be2abb!}

  • {!LANG-719d1a3eab4843fea09ea6b981eb92da!}
  • {!LANG-c85a0931a25bdceb23d9314b2576ec40!}
  • {!LANG-76dc6a348dd60d1b0fc6012fc96fc5ae!}
  • {!LANG-e3f82c53f8eb3f0d609a78d786e7d386!}
  • {!LANG-8e22e328e3b9e8ae7720d8607a49275b!}
  • {!LANG-66211c3e0ea2936ff423cc2c74b60996!}
  • {!LANG-68f9933d10ef353dc878aa725808d352!}
  • {!LANG-73f6f85e50971dd35eec7d1b7d43f297!}
  • {!LANG-10db27e354250501e88a58bb4d8164b4!}

{!LANG-c24d3027763a287eac8240f252a71233!}

{!LANG-ed560b0afdc244c55fa42603a9bdf1bf!}

{!LANG-95d39e9530bfbafeadf5e625ee533278!}

  • {!LANG-6d0e2f76e36cfcf6874f0da2f5aabd1f!}
  • {!LANG-a5c0ffb731292c2533d0b3560a484be2!}
  • {!LANG-d117e58ff2b23b2c6389c1b5768bfbba!}
  • {!LANG-af6d608ee19e66d2a0564a124dea3bda!}
  • {!LANG-334da898f19ee8e3090c38f172c4c471!}
  • {!LANG-e4b915e8db948a8bd98c20586dba2f10!}

  • {!LANG-18feb143e3b2a7eae40fadb45eb3ee93!}
  • {!LANG-f7cb29605c867cf236f371056ce45865!}
  • {!LANG-f443987f1d65a3ee1dbc98f47ca70a0d!}
  • {!LANG-e4501a333c2f1a1c485cf9844115bcac!}
  • {!LANG-fb16f595e8a0403e9f33b3745b3b3cd5!}
  • {!LANG-0904acc1a940334b8c55ebe0d92554a7!}

{!LANG-8cbbcb78dcdb530655868637c360d4c4!}

{!LANG-1b614f74ab9a7f81453055461514c9c2!}

{!LANG-66c7201444742a592db26efc64e00423!}

{!LANG-a81cef81a340ba80583fb1b0b590edf7!}

{!LANG-841654bb63e74eb5d0844fbfc8e00cfc!}

{!LANG-327b3cf3adeac107662d6a1084008b51!}{!LANG-2f82777697eccda8da9c6f3311a732ed!} {!LANG-2274c60743ae374c7f2fdecf8470e34d!}